^{page 302 note 1} V. C. II. London, i. 158, figs. 8 and 9 on plate. For the hour-glass handle, compare B. Salin, Die altgermanische Thierornamentik, 99.

^{page 303 note 1} Compare the curly hair on bronze masks figured in Christiania Vidensk, Selsk. Forhandlinger, 1890, no. 3, pi. iii, figs. 3, 4.

^{page 304 note 1} V. O. H. Kent, i. 356, 368.

^{page 304 note 2} Archaeologia, lxi. 359, pi. xlvii.

^{page 304 note 3} V. G. H. Cumberland, i. 282.

^{page 305 note 1} Die Thierornamentik im Norden, 144.

^{page 305 note 2} Christiania Vidensk. Selsk. Fork., 1891, pi. i, figs. 3 and 4 ; pi. iii, fig. 14.

^{page 305 note 3} Carolingian influence can be traced in such specimens as Montelius's Kulturgeschichte Schwedens, figs. 474, 470, 485, 497.

^{page 306 note 1} V. C. H. Hants, i. 398, fig. 15.

^{page 306 note 2} V. C. H. Essex, i. 331, fig. 10.

^{page 306 note 3} J. Smirnoff, Oriental Silver (Russian), pl. lxix, fig. 121.

^{page 306 note 4} Proceedings, xx. 52.

^{page 306 note 5} Archaeological Journal, iv. 111, 189.

^{page 306 note 6} Rygh, Norske Oldsager, fig. 507.

^{page 306 note 7} Schetelig, Vestlandets ældste Kulturhistorie, 76, fig. 98.

^{page 307 note 1} Gustafson, Norges Oldtid, 101, fig. 408.

^{page 307 note 2} S. Müller, Ordning of Danmarks Oldsager, ii. figs. 604 (trefoil brooch), 606, 665 (pendant also figured in Mém. Soc. Antiq. du Nord), 1890–5, 217.