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Toward the Revival of the Classical Orchestra

Published online by Cambridge University Press:  01 January 1976

Neal Zaslaw
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Extract

What lover of eighteenth-century music, hearing Burney's characterisation of the Mannheim orchestra as ‘… an army of generals, equally fit to plan a battle, as to fight it’, or upon reading Schubart's description of that group,

Its forte is like thunder, its crescendo like a great waterfall, its diminuendo the splashing of a crystalline river disappearing into the distance, its piano a breath of spring…,

has not been filled with curiosity to hear such an ensemble? Recently a few performing groups have begun to try to satisfy that curiosity. We are reminded of the pioneering nature of such undertakings by recalling that a respected music dictionary defines ‘Performance Practice’ as ‘the study of how early music, from the Middle Ages to Bach, was performed and the many problems connected with attempts to restore its original sound in modern performance.

Type
Research Article
Information
Proceedings of the Royal Musical Association , Volume 103 , 1976 , pp. 158 - 187
Copyright
Copyright © 1978 The Royal Musical Association and the Authors

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