Hostname: page-component-7bb8b95d7b-2h6rp Total loading time: 0 Render date: 2024-09-18T18:53:46.967Z Has data issue: false hasContentIssue false

A Profile of Jan Václav Vořišek

Published online by Cambridge University Press:  01 January 1970

Get access

Extract

Jan Vořišek is an oddly shadowy figure in musical history. Admirer and intimate of Beethoven, friend of Schubert—yet exponent of Bach fugues and continuo realisations for seventeenth- and eighteenth-century compositions; on the one hand a war-office clerk, on the other organist to the Imperial Court—his life is made up of such contrasts. He was born into the generation that saw the rise of Czech cultural nationalism, but took no part in it. Indeed, he is almost the last of the long line of emigré Czechs (the Stamitz family, the Bendas, Mysliviček, Vaňhal, Reicha and others) who practised with distinction the international musical style. He was a virtuoso pianist and a popular, even fashionable, figure in the salons of the Viennese musical dilettanti, yet he left some compositions of such excellence that one marvels that their revival has been so long delayed. The more one knows about his career, the further one seems to travel from Jan Voříšek as a person.

Type
Research Article
Copyright
Copyright © 1971 The Royal Musical Association and the Authors

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Dr. Burney's Musical Tours in Europe, ed. Percy A. Scholes, London, 1959, ii. 132–6; see also Hermann Abert, W. A. Mozart, Leipzig, 1919–21, ii. 406–7.Google Scholar

2 Hudebni Odděleni Nardoního Musea, shelf-mark XI F 58.Google Scholar

3 Biographische Notizen über Joh. Hugo Worzischek, k.k. ersten Hoforganisten’, Monatbericht der Gesellschaft der Musikfreunde, i/8 (1829), 148ff.Google Scholar

4 Das lyrische Klavierstuck Schuberts und seiner Vorgänger seit 1810’, Archie für Musikwissenschaft, iii (1921), 54ff., 9gff.CrossRefGoogle Scholar

5 Foreword to V. J. Tomášek, Tre Ditirambi, ed. J. Pohanka (Musica Antiqua Bohemica, xxix), Prague, 1956.Google Scholar

6 Zdeněk Němec, Weberova pražská léta, Prague, 1944, p. 10.Google Scholar

7 Vlastní Životopis V. J. Tomáška, ed. Zdeněk Němec, Prague, 1941, passim.Google Scholar

8 Quoted in Brian Large, Smetana, London, 1970, p. xiv.Google Scholar

9 A. Hnilička, Profily české hudby z. 1. polovice 19. století, Prague, 1924, p. 61.Google Scholar

10 Smetana, loc. cit.Google Scholar

11 Vlastní Životopis V. J. Tomáška, pp. 129–30.Google Scholar

12 Further see Kier, Herfrid, Raphael Georg Kiesewetter, Regensburg, 1968, esp. pp. 6769, 78, 244–6.Google Scholar

13 Quoted in Hnilička, Profily české hudby, p. 63.Google Scholar