No CrossRef data available.
Published online by Cambridge University Press: 01 January 1948
Anyone who has studied the subject must be aware of the lack of consistency with which the principle of lateral fingerholes in wind instruments is occasionally treated in textbooks and elsewhere.
1 C. S. Terry, Bach's Orchestra (1932) pp. 94—95.Google Scholar
2 Ibid, p. 108.Google Scholar
3 Langwill, L. G., ‘Some notes on the Bassoon with particular reference to its fundamental scale.’ Musical Progress and Mail, (August 1933.)Google Scholar
4 E. Prout, The Orchestra (1897). Vol. 1, p. 132.Google Scholar
5 Grove's Dictionary (2nd edition, 1900). Art. Bassoon.Google Scholar
6 Forsyth, C., Orchestration (1914). p. 232.Google Scholar
7 Sachs, C., Real-Lexicon (1913), p. 135.Google Scholar
8 Bessaraboff, N., Ancient European Musical Instruments (1941), Note 264.Google Scholar
9 Carse, A., Musical Wind Instruments (1939), pp. 22—26.Google Scholar
10 The Interpretation of the Music of the XVII and XVIII Centuries, p. 458.Google Scholar
11 The Treatment of Instrumental Music (1928), p. 18.Google Scholar