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Published online by Cambridge University Press: 01 January 2020
I Ought to say, by way of introduction, that my interest in the English Court ode owes its inspiration to a paper ‘The Secular Music of John Blow’, read to this Society on 10 November 1936, by Mr. Harold Watkins Shaw, and to the questions raised by Professor Westrup in the discussion which followed.
1 New York Public Library, Drexel MSS 4180–5. Published by Stainer & Bell, London.Google Scholar
2 Works of Benjamin Jonson, edd. C. H. Herford and P. Simpson, 11 vols., Oxford, 1925–52, viii, 263–5.Google Scholar
3 See Broadus, E. K., The Laureateship, Oxford, 1921, p. iv.Google Scholar
4 This is the date which Herford and Simpson ascribe to this masque, Jonson, x, 604.Google Scholar
5 Jonson, vii, 534–5.Google Scholar
6 See Simpson, Evelyn, ‘Ben Jonson's “A New-Yeares-Gift”’, The Review of English Studies, xiv (1938), 175–8.CrossRefGoogle Scholar
7 Bodleian Library, MS Ashm. 36–7, f. 166.Google Scholar
8 Herford and Simpson note this, Jonson, xi, 101.Google Scholar
9 After these phrases the MS has the rubric ‘eccho’.Google Scholar
10 Jonson, vii, 536.Google Scholar
11 Bodleian Library, MS Aahm. 36–7, f. 167.Google Scholar
12 Jonson, vi, 490.Google Scholar
13 Jonson, viii, 235.Google Scholar
14 Jonson reuses this phrase in ‘A New-yeares-Gift sung to King CHARLES, 1635’.Google Scholar
15 Jonson, viii, 259–60.Google Scholar
16 Jonson, i, 245–8.Google Scholar
17 Jonson, viii: No. LXIII, 235–6, a consolatory epigram for the death of the King's first-born and No. LXIV, 236–7, an epigram to the King on the anniversary of his accession—both written in 1629; No. LXV, 237–8, an epigram on Charles II's birth, No. LXVI, 238, one on the Queen's confinement, and No. LXVII, 239–40, a poem for the Queen's birthday—all written in 1630; No. LXXII, 249, an epigram to the King on his birthday, 1632; No. LXXXII, 268, a poem on the christening of James II in 1633; No. LXXIX, 263–5, an ode for the New Year, 1635; and No. LXXXI, 267, a poem of an unknown year on the birthday of Charles I.Google Scholar
18 Jonson, viii, 267.Google Scholar
19 The Works of Thomas Nabbes, ed. A. H. Bullen (Old English Plays, ii), London, 1887, 256–68.Google Scholar
20 ibid., 260.Google Scholar
21 ibid., 266.Google Scholar
22 The Diary of John Evelyn, ed. E. S. de Beer, London, 1959, 405, 3 May 1660. 23 ibid., 405, February 1660.Google Scholar
24 The Diary of Samuel Pepys, ed. H. B. Wheatley, London, 1952, i, 115, a May 1660.Google Scholar
25 See, for example, de Beer, op. cit., 406, 29 May 1660.Google Scholar
26 Journal of the House of Commons, 12 Car. II, viii, 51, 31 May 1660.Google Scholar
27 London, 1667, ii, 118–20.Google Scholar
28 Saturday, June 4, 1681: ‘Windsor—May 29 This day (being His Majesty's Birthday) all the usuall Ceremonies were performed; as ringing of Bells, sounding of Trumpets, beating of Drums, with variety of other Musick. At His Majesty's up-rising a Song was sung in the Privy Chamber, concerning the Birth, Restauration, and Coronation, much to the satisfaction of His Majesty…’.Google Scholar
29 Locke's ‘Come Loyall hearts, make no delay’, which was also performed at the New Year's celebration in 1666 (New Style) may also have been an ode as such. The music has not survived and the arrangement of the text does not indicate one way or the other what sort of setting it received: the irregularity of the metre of the various verses may indicate that it was set as an ode; or again it may not.Google Scholar
30 Music Library of the Barber Institute of Fine Arts, University of Birmingham, Barber MS 5001, 1–9.Google Scholar
31 British Museum, Add. MS 31452, f. 54b.Google Scholar
32 By this time the Master of the King's Music was responsible for setting the texts.Google Scholar
33 Southey, R., The Poetical Works of Robert Southey, London, 1838, iii, xiii.Google Scholar
34 Southey, C. C., The Life and Correspondence of the Late Robert Southey, London, 1850, iv, 94; V. 7.Google Scholar
35 ibid., v. 63.Google Scholar
36 Southey, R., op. cit., iii, xiii.Google Scholar