Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-11-05T16:16:24.742Z Has data issue: false hasContentIssue false

Music Librarianship

Published online by Cambridge University Press:  01 January 2020

J.H. Davies*
Affiliation:
British Broadcasting Corporation
Get access

Extract

In offering the subject of Musical Librarianship to you this afternoon I have had to decide which of its several aspects I should attempt to describe, for there are several kinds of music librarians, with somewhat differing functions. The librarian of the Music Room of a great national library, such as the British Museum or the Vienna Hofbibliothek, will manage his collections differently from the librarians of private collections or teaching institutions, whose jobs again will bear only passing likeness to the librarian of an established orchestra or light music unit, while an assistant running the music and gramophone sections of a municipal or county library may scarcely be on nodding terms with any of these. There is ample matter to fill my time in describing my own job of servicing the materials of music for radio, but I have no wish to exacerbate your nerves with an essay on “a day at the B.B.C.”

Type
Research Article
Copyright
Copyright © Royal Musical Association, 1949

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Squire, W.B. Musical libraries and catalogues. R.M.A., Vol. XLV (1919).Google Scholar

2 Krohn, E. C. The bibliography of music. The Musical Quarterly, Vol. 5 (1919).CrossRefGoogle Scholar

3 Deutsch, O. E. Music bibliography and catalogues. The Library, Fourth Series, Vol. XXIII, No. 4 (1943).CrossRefGoogle Scholar

4 King, A. Hyatt. Recent work in music bibliography. The Library, New Series, Vol. XXVI, Nos. 2, 3 (1945).CrossRefGoogle Scholar

5 McColvin and Reeves. Music Libraries, 2 vols. (1937-38).Google Scholar

6 Eitner, R. Biographische-bibliographische Quellen-Lexikon… . 10 vols. Leipzig (1899-1904).Google Scholar

7 Hofmeister, F. Handbuch der Musikliteratur. Leipzig. Hofmeister. (1844—).Google Scholar

8 Pazdirek, F. Universal-Handbuch der Musikliteratur, 34 Vols. Vienna. Pazdirek. (1904-10).Google Scholar

9 Altmann, W. Orchester-Literatur-Katalog, 2 Vols. (1926-36).Google Scholar

10 Library of Congress. Orchestral music catalogue: scores, by O. G. Sonneck. (1912).Google Scholar

11 Fleisher, A. The music collection in the Free Library of Philadelphia 2 Vols. (1900).Google Scholar

12 Clément et Larousse. Dictionnaire des opéras. Revu. par A. Pougin. Paris. Larousse n.d.Google Scholar

13 Riemann. Opern-Handbuch. Leipzig. Koch. (1887).Google Scholar

14 Towers. Dictionary-Catalogue of opera and operettas. Morgantown, Va., Acme. n.d.Google Scholar

15 Baker, D. E. Biographia dramatica (3rd edn.) London. Longman, 3 Vols. in 4 (1812).Google Scholar

16 Katalog der Bibliothek Paul Hirsch. Band II. Opern-Partituren. Berlin. Breslauer (1930).Google Scholar

17 Library of Congress. Catalogue of operatic scores, by O. G. Sonneck. Washington.Google Scholar

18 Czech., Stan. Das Operettenbuch. 3 Aufl. Stuttgart. Muth. (1950).Google Scholar