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Published online by Cambridge University Press: 01 January 2020
The following remarks are based on a lifelong familiarity with musical instruments of every kind. In my practical and experimental researches I am constantly observing phenomena which do not appear to conform with established acoustical theories, and some of these I will now lay before you. It will be first necessary to state briefly certain theories commonly taught.
∗ Mr. Blaikley afterwards admitted to me in conversation that “adjustments” had often to be made; i.e., that the theoretical basis of construction did not always hold.—R.D.Google Scholar