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The Masque of the Seventeenth Century, Its Origin and Development

Published online by Cambridge University Press:  01 January 2020

Arthur H. D. Prendergast
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Extract

The Masque of the English Court in the seventeenth century was the vigorous and richly endowed descendant of a long line of gradually developing progenitors.

Both Italy and England had their share in the nurture and improvement of this species of entertainment; its origin and earlier cultivation belonging to Italy, and its final and most successful elaboration to our own country.

Type
Research Article
Information
Proceedings of the Musical Association , Volume 23 , 1896 , pp. 113 - 131
Copyright
Copyright © Royal Musical Association, 1896

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References

∗ Translation by John BlackGoogle Scholar

∗ See Roscoc's “Life of Lorenzo do Medici”Google Scholar

∗ This is their description in the “Bidding Prayer,” which precedes the sermon at the Temple Church and elsewhere.Google Scholar

∗ Referring to Staple Inn and Barnard's Inn.Google Scholar

∗ Dekker's dates are both uncertain, but he was associated with Ben Jonson in devising the processional pageants for the coronation of James I., on July 25, 1603, and therefore was probably of about the same age.Google Scholar

∗ Produced at Ludlow Castle, Michaelmas, 1634, with music by Henry Lawes.Google Scholar

∗ The proper spelling is Laniere. He was a native of England, but of Italian origin.Google Scholar

† Also spelt Coperario. His real name was John Cooper, which he altered after a visit to Italy.Google Scholar

∗ Horace. “Ars poetica.”Google Scholar

∗ The date given in Grove's Dictionary is 1675; but, on the suggestion of Mr. Cummings in the “Discussion,” I have examined the original edition of this masque in the British Museum, and find that the true date was 1674.Google Scholar