Hostname: page-component-586b7cd67f-rcrh6 Total loading time: 0 Render date: 2024-11-25T11:24:12.605Z Has data issue: false hasContentIssue false

On the Early Italian and Spanish Treatises on Counterpoint and Harmony

Published online by Cambridge University Press:  01 January 2020

F. A. Gore Ouseley*
Affiliation:
University of Oxford
Get access

Extract

The object of the paper I am about to read is to introduce to your notice some of the principal Italian and Spanish treatises on music of the fifteenth and sixteenth centuries. It is a subject which has never been much attended to in this country, probably on account of the excessive rarity of the works in question; but which possesses a great deal of interest, when viewed in connection with the History of Musical Art. In order to illustrate the subject more fully, I have placed on the table a few of the rarest of these ancient treatises, from my own library, in hopes that some of those who are here to-day may care to examine them, and thus verify the observations I shall have to make concerning them.

Type
Research Article
Copyright
Copyright © Royal Musical Association, 1878

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)