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In this paper I propose to deal with Berlioz the musician, rather than with Berlioz the man: firstly, because in this his centenary year we have most of us had our memories refreshed with, the main details of his life; and secondly, because even now, a hundred years after his birth, there are many things connected with his music or his ideas on music which are either misconstrued or imperfectly understood.
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- Copyright © Royal Musical Association, 1903