Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-24T10:44:20.327Z Has data issue: false hasContentIssue false
  • English
  • Français

The Design Process at Le Corbusier, Case of the Ronchamp Chapel

Part of: Design Management

Published online by Cambridge University Press:  26 July 2019

Nadjat Outmoune  and
Abdelmalek Arrouf
Nadjat Outmoune*
Affiliation:
Laboratory of architectural and urban phenomena modeling and studying (LEMPAU) University of Batnal, Batna, Algeria University of Biskra
Abdelmalek Arrouf
Affiliation:
Laboratory of architectural and urban phenomena modeling and studying (LEMPAU) University of Batnal, Batna, Algeria
*
Contact: Outmoune, Nadjat, University of Batna, Architecture, Algeria, [email protected]

Abstract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

This work falls within the empirical studies of design activity. Its project is to understand Le Corbusier's designing way and how does he work and structure his design processes. Doing so, it jumps above the descriptive and doctrinal knowledge of objects produced by “Le Corbusier” to study the actions and mechanisms that led to them.

To achieve its aim, this study uses genetic method, developed by P.M. De Biasi of literary origin, this research method is made of three stages. The first one, which is of empirical nature, is one of data gathering. It leads to the establishment of genesis tables and to the classification of the all collected documents. The second stage, makes the analysis of all the collected documents one by one. It allows the restitution of the creative process of one projects “Le Corbusier” which is “la chapelle de Notre Dame du haut de Ronchamp”. The last stage is finally that define the design processe of the this project. The results show that the design activity of “Le Corbuiser” obeys the overall logic of one generic model which may be called his individual designing style.

Keywords

Design processLe CorbusierGenetic analysisCase studyHuman behaviour in design
Type
Article
Information
Proceedings of the Design Society: International Conference on Engineering Design , Volume 1 , Issue 1 , July 2019 , pp. 1275 - 1282
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
© The Author(s) 2019

References

Arrouf, A. (2012), Vers une Théorie Scientifique de la Conception Architecturale- Contribution à l’épistémologie Architecturale et à la Modélisation de l'acte de Concevoir, Éditions Universitaires Européennes, Saarinen, Allemagne.Google Scholar
De Biasi, P.M. (2000), “L'horizon Génétique”, in: Louis Hay, Les Manuscrits des Écrivains, Ed. CNRS, Paris, pp. 238–259.Google Scholar
De Biasi, P.-M. (2000), “Pour une approche génétique de l'architecture”, Genesis, No. 14, pp. 7–66.Google Scholar
Le Corbusier (1965), Textes et dessins pour Ronchamp, Frances vives.Google Scholar
Le Corbusier (1996), Le voyage d'Orient, Éditions de la Villette.Google Scholar
Outmoune, N. (2017), “Le processus de conception chez Le Corbusier, variations et permanences”, mémoire de magistère, Université de Batna1, Algérie.Google Scholar
Pauly, D. (1997), Le Corbusier- La chapelle de Ronchamp, Fondation Le Corbusier, Birkhäuser, Basel.Google Scholar