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EMBEDDING PERCEPTION: HOW CHANGES IN MANUFACTURING APPROACH INFLUENCE INTERACTION-DESIGN PREFERENCES

Published online by Cambridge University Press:  19 June 2023

Lewis Urquhart  and
Andrew Wodehouse
Lewis Urquhart*
Affiliation:
University of Strathclyde
Andrew Wodehouse
Affiliation:
University of Strathclyde
*
Urquhart, Lewis William Robert, University of Strathclyde, United Kingdom, [email protected]

Abstract

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This paper explores how small-but–detectable changes in manufacturing protocol can alter interaction-design preferences for users. Building on a number of previous studies by the authors, this paper focuses on the manufacture of a set of emotionally attuned pattern-based surface texture designs by means of computer-numerically controlled (CNC) machining. An experiment is subsequently reported that explores how the variations in toolpath rastering approach can affect the visual and tactile qualities of the textures in relation to interaction-design preferences, with a focus on psychological experience. The implications with respect to user-centred design (UX) and manufacturing protocol more broadly are subsequently discussed, with recommendations for a reconfiguration of computer-aided manufacturing (CAM) approaches to better encode the diverse preferences that users may have when considering how products are manufactured.

Keywords

Design engineeringEmotional designUser centred designCNC machiningTexturing
Type
Article
Information
Proceedings of the Design Society , Volume 3: ICED23 , July 2023 , pp. 1615 - 1624
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
The Author(s), 2023. Published by Cambridge University Press

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