Articles
Carte de Séjour: revisiting ‘Arabness’ and anti-racism in 1980s France
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- 12 October 2012, pp. 331-346
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Listening to ‘difficult albums’: specialist music fans and the popular avant-garde
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- 12 October 2012, pp. 347-361
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What is bluegrass anyway? Category formation, debate and the framing of musical genre
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- 12 October 2012, pp. 363-381
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Internal rhyme in ‘The Boy with a Moon and Star on His Head’, Cat Stevens, 1972
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- 12 October 2012, pp. 383-400
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Siberian punk shall emerge here: Egor Letov and Grazhdanskaia Oborona
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- 12 October 2012, pp. 401-415
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The new ‘tween’ music industry: The Disney Channel, Kidz Bop and an emerging childhood counterpublic
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- 12 October 2012, pp. 417-436
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The power ballad
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- 12 October 2012, pp. 437-459
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How the yodel became a joke: the vicissitudes of a musical sign
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- 12 October 2012, pp. 461-479
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Middle Eight
Reconsidering popular music studies: a review of IASPM's thirtieth anniversary conference held in Grahamstown, South Africa, 27 June–1 July 2011
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- 12 October 2012, pp. 481-483
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Obituary
Jan Fairley
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- 12 October 2012, pp. 485-487
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Reviews
I Don't Sound Like Nobody: Remaking Music in 1950s America. By Albin J. Zak III. Ann Arbor: University of Michigan Press, 2010. x + 308 pp. ISBN 978-0-472-11637-9
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- 12 October 2012, pp. 489-491
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Musical Rhythm in the Age of Digital Reproduction. By Anne Danielsen. Farnham: Ashgate, 2010. 265 pp. ISBN 978-1409403401
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- 12 October 2012, pp. 491-492
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If Beale Street Could Talk: Music, Community, Culture. By Robert Cantwell. Urbana and Chicago: University of Illinois Press, 2008. 316 pp. ISBN: 978-0-252-07566-7
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- 12 October 2012, pp. 493-495
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Pop Cults: Religion and Popular Music. By Rupert Till. New York: Continuum, 2010. 215 pp. ISBN: 978-0-826-43236-0
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- 12 October 2012, pp. 495-498
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Bob Dylan. By Keith Negus. London: Equinox, 2008. 172 pp. ISBN 1-904768-25-8
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- 12 October 2012, pp. 498-500
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California Polyphony: Ethnic Voices, Musical Crossroads. By Mina Yang. Champaign-Urbana: University of Illinois Press, 2008. 208 pp. ISBN 978-0-252-03243-1
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- 12 October 2012, pp. 501-502
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Music, Sound and Silence in Buffy the Vampire Slayer. Edited by Paul Attinello, Janet K. Halfyard and Vanessa Knights. Farnham: Ashgate, 2010. 278 pp. ISBN 978-0-7546-6041-2
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- 12 October 2012, pp. 502-504
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Folk Music: A Very Short Introduction. By Mark Slobin. Oxford and New York: OUP, 2011. 176 pp. ISBN 978-0-19-539502-0
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- 12 October 2012, pp. 504-506
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Shakespeare and Popular Music. By Adam Hansen. London and New York: Continuum, 2010. 185 pp. ISBN: 978-1-4411-2698-6
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- 12 October 2012, pp. 506-508
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The Oxford American Book of Great Music Writing. Edited by Marc Smirnoff. Fayetteville: The University of Arkansas Press, 2008. 421 pp. ISBN 1-55728-887-9 (hb)
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- 12 October 2012, pp. 508-510
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