The Contributors
The contributors
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- 11 November 2008, p. iii
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Research Article
‘Sadeness’, Scorpions and single markets: national and transnational trends in European popular music
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- 11 November 2008, pp. 127-140
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Dressed for success: Sweden from Abba to Roxette
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- 11 November 2008, pp. 141-150
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Austropop: popular music and national identity in Austria
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- 11 November 2008, pp. 151-185
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Mixing pop and politics: rock music in Czechoslovakia before and after the Velvet Revolution
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- 11 November 2008, pp. 187-203
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On some dilemmas of Polish post-communist rock culture
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- 11 November 2008, pp. 205-208
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The influence of British rock in Bulgaria
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- 11 November 2008, pp. 209-212
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Islam, the Turkish state and arabesk
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- 11 November 2008, pp. 213-227
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Can you feel it? DJs and House Music culture in the UK
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- 11 November 2008, pp. 229-238
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Middle Eight
Popular music education – the dawning of a New Age
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- 11 November 2008, pp. 239-241
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European world music charts
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- 11 November 2008, pp. 241-244
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Second European Conference on Musical Analysis
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- 11 November 2008, pp. 244-246
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Essay Reviews
Music as Social Text
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- 11 November 2008, pp. 247-251
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Rock Culture in Liverpool
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- 11 November 2008, pp. 251-254
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Reviews
Negro Folk Rhymes. By Thomas V. Talley. Expanded edition, edited by Charles K. Wolfe. Knoxville: University of Tennessee Press, 1991. xxvii + 318 pp.
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- 11 November 2008, pp. 255-257
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Ellington: The Early Years. By Mark Tucker. Wheatley, Oxon: Bayou Press1991. 345 pp. illus. - Duke Ellington, Jazz Composer. By Ken Rattenbury. New Haven: Yale University Press. 327 pp.
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- 11 November 2008, pp. 257-259
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The Big Wheel. By Bruce Thomas. London: Penguin, 1991 (1990). 184 pp.
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- 11 November 2008, pp. 260-261
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Front matter
PMU volume 11 issue 2 Cover and Front matter
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- 11 November 2008, pp. f1-f4
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Back matter
PMU volume 11 issue 2 Back matter
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- 11 November 2008, pp. b1-b2
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