The Contributors
The contributors
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- 11 November 2008, p. iii
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Articles
The aftermath of a crisis: Quebec music industries in the 1980s
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- 11 November 2008, pp. 209-227
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Chicha in the shanty towns of Arequipa, Peru
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- 11 November 2008, pp. 229-244
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The scent of Catalan rock: Els Pets' ideology and the rock and roll industry
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- 11 November 2008, pp. 245-261
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The aesthetic of radicalism: the relationship between punk and the patriotic nationalist movement of the Basque country*
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- 11 November 2008, pp. 263-280
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Writing Jimi: rock guitar pedagogy as postmodern folkloric practice1
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- 11 November 2008, pp. 281-288
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Policing Bohemia, pinning up grunge: the music press and generic change in British pop and rock
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- 11 November 2008, pp. 289-300
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Middle Eight
Music Analysis Conference
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- 11 November 2008, pp. 301-302
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World Record Sales Figures 1992
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- 11 November 2008, pp. 302-303
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Centre for Jazz and Popular Music (CJPM) University of Natal, Durban, South Africa
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- 11 November 2008, pp. 303-305
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Reviews
Different Drummers: Jazz in the Culture of Nazi Germany. By Michael H. Kater. New York and Oxford: Oxford University Press, 1992. xiv + 291 pp.
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- 11 November 2008, pp. 307-308
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Gigs: Jazz and the Cabaret Laws in New York City. By Paul Chevigny. Routledge: New York and London, 1991. 215 pp.
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- 11 November 2008, pp. 308-309
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West African Pop Roots. By John Collins. Philadelphia: Temple University Press, 1992. xii + 344 pp.
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- 11 November 2008, pp. 309-310
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She's a Rebel: The History of Women in Rock & Roll. By Gillian Gaar. Seattle: Seal Press, 1992. 488 pp.
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- 11 November 2008, pp. 311-313
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From Pop to Punk to Postmodernism: Popular Music and Australian Culture from the 1960s to the 1990s. Edited by Philip Hayward. Sydney: Allen & Unwin, 1992. 188 pp. - Stranded in Paradise: New Zealand Rock 'n' Roll 1955–1988. By John Dix. Wellington: Paradise Publications, 1988. 352 pp. illus.
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- 11 November 2008, pp. 313-316
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Understanding Rock and Roll: Popular Music in Britain, 1955–1964. By Dick Bradley. Buckingham: Open University Press, 1992. 191 pp.
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- 11 November 2008, pp. 316-320
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The Music Business. By Andrew Blake. London: B.T. Batsford Ltd, 1992. 128 pp.
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- 11 November 2008, pp. 320-321
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Rock Formation: Music, Technology, and Mass Communication. By Steve Jones. California and London: Sage, 1992. 223 pp.
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- 11 November 2008, p. 322
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Peepin' in a Seafood Store. By Timothy d'Arch Smith. Norwich: Michael Russell, 1992. 183 pp.
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- 11 November 2008, pp. 322-324
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Stairway to Hell. By Chuck Eddy. New York: Harmony Books, 1991. 212 pp. - The Penguin Book of Rock & Roll Writing. Edited by Clinton Heylin. Harmondsworth: Penguin, 1992. 682 pp.
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- 11 November 2008, pp. 324-327
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