The contributors
The contributors
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- 11 November 2008, p. iii
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Editorial
Editorial introduction
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- 11 November 2008, pp. v-vi
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Articles
Home Sweet Home? The ‘culture of exile’ in mid-Victorian popular song
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- 11 November 2008, pp. 131-150
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Provinces versus metropolis in the British brass band movement in the early twentieth century: the case of William Rimmer and his music
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- 11 November 2008, pp. 151-163
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Victorian bands and their dissemination in the colonies
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- 11 November 2008, pp. 165-179
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John Bull in blackface
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- 11 November 2008, pp. 181-201
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Music and national identity in Scotland: a study of Jock Tamson's Bairns
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- 11 November 2008, pp. 203-216
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Middle Eight
Raphael Samuel, History Workshop and the value of democratic scholarship
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- 11 November 2008, pp. 217-220
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‘The Sound of Silence’: Academic freedom and copyright
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- 11 November 2008, pp. 220-222
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Essay review
Essay review
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- 11 November 2008, pp. 223-227
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Reviews
Sounds and Society: Themes in the Sociology of Music. By Peter Martin. Manchester and New York: Manchester University Press, 1995. xiii + 298 pp.
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- 11 November 2008, pp. 229-231
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Loser: The Real Seattle Music Story. By Clark Humphrey. Portland: Feral House, 1995. - Screaming Life: A Chronicle of the Seattle Music Scene. By Charles Peterson. San Francisco: HarperCollins West, 1995.
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- 11 November 2008, pp. 231-234
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Front matter
PMU volume 16 issue 2 Cover and Front matter
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- 11 November 2008, pp. f1-f4
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Back matter
PMU volume 16 issue 2 Cover and Back matter
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- 11 November 2008, pp. b1-b2
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