Introduction
Introduction: The Critical Imperative
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- 13 December 2016, pp. 1-5
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Articles
The X Factor and reality television: beyond good and evil
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- 13 December 2016, pp. 6-20
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Is the post- in post-identity the post- in post-genre?
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- 13 December 2016, pp. 21-32
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Listening While Muslim
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- 13 December 2016, pp. 33-42
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Dancefloor-driven literature: subcultural big bangs and a new center for the aesthetic universe1
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- 13 December 2016, pp. 43-54
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Mid-century Modern Jazz: Music and Design in the Postwar Home
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- 13 December 2016, pp. 55-74
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Polyrhythms, negative space, circuits of meaning: making sense through Dawn of Midi's Dysnomia
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- 13 December 2016, pp. 75-85
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How Internet music is frying your brain1
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- 13 December 2016, pp. 86-97
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Playing with time: Kate Bush's temporal strategies and resistant time consciousness
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- 13 December 2016, pp. 98-110
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Middle Eight
Are workers musicians?
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- 13 December 2016, pp. 111-115
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Reviews
The Sage Handbook of Popular Music. Edited by Andy Bennett and Steve Waksman . London: Sage, 2015. 647 pp. ISBN 978-1-4462-1085-7
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- 13 December 2016, pp. 116-117
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The Art of Record Production: An Introductory Reader. Edited by Simon Frith and Simon Zagorski-Thomas . London: Routledge, 2013. 328 pp. ISBN 9781409406785
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- 13 December 2016, pp. 118-120
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Musical Echoes: South African Women Thinking in Jazz. By Carol Ann Muller and Sathima Bea Benjamin . Durham, NC, and London: Duke University Press, 2011. 384 pp. ISBN 978-0-8223-4914-3
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- 13 December 2016, pp. 120-123
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Anthem: Social movements and the sound of solidarity in the African diaspora. By Shana L. Redmond . New York: New York University Press, 2014. 345 pp. ISBN 978-0-8147-7041-2
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- 13 December 2016, pp. 123-125
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Youth and Rock in the Soviet Bloc: Youth Cultures, Music, and the State in Russia and Eastern Europe. Edited by William Jay Risch . Lanham, MD: Lexington Books, 2015. 310 pp. ISBN 978-0-7391-6693-2
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- 13 December 2016, pp. 125-127
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Sacred and Secular Musics: A Postcolonial Approach. By Virinder S Kalra . London: Bloomsbury Academic. 2014. 256 pp. ISBN 9781441121325
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- 13 December 2016, pp. 128-131
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Mazel Tov Amigos: Jews and Popular Music in the Americas. Edited by Amalia Ran and Moshe Morad . Leiden: Brill, 2016. 255 pp. ISBN 9789004184473
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- 13 December 2016, pp. 131-133
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Music Theater and Popular Nationalism in Spain, 1880–1930. By Clinton D. Young . Baton Rouge, LA: Louisiana University Press, 2016. 238 pp. ISBN 978-0-8071-6102-9
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- 13 December 2016, pp. 133-135
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Edith Piaf: a Cultural History. By David Looseley . Liverpool: Liverpool University Press, 2015. 254 pp. ISBN 9781781382578
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- 13 December 2016, pp. 135-136
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Street Ballads in Nineteenth-century Britain, Ireland, and North America: The Interface between Print and Oral Traditions. Edited by David Atkinson and Steve Roud . Farnham: Ashgate, 2014. 290 pp. ISBN 9781472427410
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- 13 December 2016, pp. 136-137
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