Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-06T05:18:35.375Z Has data issue: false hasContentIssue false
  • English
  • Français

Wax Trax and Vinyl Treasures: Record Collecting as a Social Practice. By Roy Shuker. Farnham: Ashgate, 2010. 223 pp. ISBN-10 0754667820

Published online by Cambridge University Press:  25 January 2011

Tony Mitchell
Tony Mitchell*
Affiliation:
University of Technology, Sydney, Australia
*
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 30 , Issue 1 , January 2011 , pp. 160 - 162
Copyright
Copyright © Cambridge University Press 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Hibbert, T. 1982. Rare Records, Wax Trash and Vinyl Treasures: Aural Nightmares of the 60's and Beyond: A Perverse Guide for the Record Collector (London, Proteus)Google Scholar
Moore, T. (ed.) 2005. Mix Tape: The Art of Cassette Culture (New York, Universe)Google Scholar
Russell, B. 2009. Left-handed Blows: Essays on Sound 1993–2009 (Auckland, Clouds)Google Scholar
Straw, W. 1997. ‘Sizing up record collections: gender and connoisseurship in rock music culture’, in Sexing the Groove: Popular Music and Gender, ed. Whiteley, S. (London, Routledge), pp. 3–16Google Scholar
Waxer, L. 2002. The City of Musical Memory: Salsa, Record Grooves and Popular Culture in Cali, Colombia (Middletown, Wesleyan University Press)Google Scholar