Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-05T11:58:49.626Z Has data issue: false hasContentIssue false
  • English
  • Français

The Italian Way(s). A special issue on Italian popular music

Published online by Cambridge University Press:  03 October 2007

GOFFREDO PLASTINO  and
MARCO SANTORO
GOFFREDO PLASTINO
Affiliation:
International Centre for Music Studies, School of Arts and Cultures, Armstrong Building, Newcastle University, Newcastle upon Tyne NE1 7RU, UK E-mail: [email protected]
MARCO SANTORO
Affiliation:
Dipartimento di Discipline della Comunicazione, Universita di Bologna, Via Azzo Gardino 23, 40122 Bologna, Italy E-mail: [email protected]
Get access Rights & Permissions [Opens in a new window]

Extract

Popular music studies have experienced a strange fate in Italy. After a promising beginning in the 1970s and the early 1980s (with the direct contribution by musicians and scholars like Franco Fabbri and Umberto Fiori to the new intellectual formation), a situation of stasis followed. The latter was characterised by the presence of individual important voices but without the support of a constituency strong enough to guarantee in Italy the institutionalisation of this new field of research.

Type
Articles
Information
Popular Music , Volume 26 , Issue 3 , October 2007 , pp. 385 - 388
Copyright
Copyright © Cambridge University Press 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)