Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-25T04:13:52.048Z Has data issue: false hasContentIssue false
  • English
  • Français

Introduction

Published online by Cambridge University Press:  11 November 2008

Stan Rijven
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Introduction
Information
Popular Music , Volume 8 , Issue 3 , October 1989 , pp. 216 - 219
Copyright
Copyright © Cambridge University Press 1989

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Collins, J. and Richards, P. 1981. ‘Popular Music from West Africa – suggestions for an interpretative framework’ in Popular Music Perspectives: Papers from the First International Conference on Popular Music Research, Amsterdam, ed. Horn, David and Tagg, Philip (Goteborg and Exeter: IASPM)Google Scholar
Dibango, Manu. 1984. Melody Maker (8 09), p. 34. Quoted in Bender, Wolfgang, 1986. Sweet Mother (Munich: Trickster), p. 85Google Scholar
Schmitt, R. 1987. ‘Hot, hotter, African stereotypes in the (re-) presentation of African music in German and European media’. Unpublished paper given at the International Conference of the International Association for the Study of Popular Music, the IASPM,Ghana,August 1987. Original source Sounds 11 (1974), p. 31Google Scholar
de Swaan, Bram. 1985. ‘Het lied van de kosmopoliet’, NRC (10)Google Scholar
Wallis, R. and Malm, K. 1984. Big Sounds from Small Peoples (London: Constable)Google Scholar