Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-22T06:00:05.169Z Has data issue: false hasContentIssue false
  • English
  • Français

Inti-Illimani

Published online by Cambridge University Press:  11 November 2008

David Horn
David Horn
Affiliation:
University of Exeter
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Essay Reviews
Information
Popular Music , Volume 6 , Issue 2 , May 1987 , pp. 241 - 246
Copyright
Copyright © Cambridge University Press 1987

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Fairley, J. 1985. ‘Karaxú and Incantation: when does ‘folk’ music become ‘popular’? in Popular Music Perspectives 2: Papers from the Second International Conference on Popular Music Studies, Reggio Emilia,September 19–24, 1983, ed. Horn, D. (Göteborg, Exeter, etc.), pp. 278–86.Google Scholar