When the English blues scholar Paul Oliver, who died in 2017 aged 90, was interviewed for a special issue of Popular Music in his honour, on the occasion of his 80th birthday (issue 26/1, January 2007), it was striking how much of the conversation revolved around a recurring flow of ideas for future research, to be undertaken by him or by anyone else who came with credentials appropriate to the enterprise (such as musicology, a discipline that he never considered himself well enough versed in to allow engagement). It didn't enter his mind that he might become a research subject himself. Now, with Christian O'Connell's book, he has; and it is his own methods that are under scrutiny, not, or not directly, the blues that he spent a long adult lifetime investigating (and for which he was such a knowledgeable and, for many who read his books or heard him speak live or on air, inspiring advocate), nor the social and economic life of the African American working class who created the music that continued to fascinate him. What is under the microscope is how he depicted both of those things.