We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
Article purchase
Temporarily unavailable
References
Boym, S.2001. The Future of Nostalgia (New York, Basic Books)Google Scholar
Cixous, H.1976. ‘The laugh of the Medusa’, Signs, 1/4, 875–9310.1086/493306CrossRefGoogle Scholar
Fisher, M.2014. Ghosts of My Life. Writings on Depression, Hauntology and Lost Futures (Winchester, Zero Books)Google Scholar
Ignácz, Á.2023. Translation, Adaptation, and Intertextuality in Hungarian Popular Music (Lausanne, Peter Lang)10.3726/b20743CrossRefGoogle Scholar
Lange, B. R., and Szemere, A.2023. ‘Dialogue with a legend: Musical engagements with the songs of Katalin Karády,’ in Translation, Adaptation, and Intertextuality in Hungarian Popular Music, ed. Ignácz, Á. (Lausanne, Peter Lang), pp. 61–83Google Scholar
Reynolds, S.2010. Retromania. Pop Culture's Addiction to Its Own Past (New York, Faber and Faber)Google Scholar
Rónai, A.2017. ‘The insecure village girl who found success, and her gentle deconstructions: Bea Palya,’ in Made in Hungary: Studies in Popular Music, ed. Barna, E. and Tófalvy, T. (New York, Routledge), pp. 99–110Google Scholar
Stanyek, J., and Piekut, B.2010. ‘Deadness: Technologies and the intermundane,’ TDR: The Drama Review, 54/1, pp. 14–3810.1162/dram.2010.54.1.14CrossRefGoogle Scholar
Szemere, A.2001. Up from the Underground. The Culture of Rock Music in Postsocialist Hungary (University Park, PA, The Pennsylvania State University Press)Google Scholar
Szemere, A., and Nagy, M. K.2017. ‘Setting up a tent in the “New Europe”: The Sziget Festival of Budapest,’ in Made in Hungary: Studies in Popular Music, ed. Barna, E. and Tófalvy, T. (New York, Routledge), pp. 15–25Google Scholar
Szemere, A.2018. ‘Let's turn Hegel from his head onto his feet: Hopes, myths, and memories of the 1960s in Tamás Cseh's Musical Album „A Letter to My Sister”,’ Slavic Review, 77/4, pp. 881–910.1017/slr.2018.285CrossRefGoogle Scholar