Hostname: page-component-78c5997874-s2hrs Total loading time: 0 Render date: 2024-11-18T19:25:23.311Z Has data issue: false hasContentIssue false

A Hidden Landscape Once a Week: The Unruly Curiosity of the UK Music Press in the 1960s–1980s, in the Words of Those Who Were There. Edited by Mark Sinker. London: Strange Attractor Press, 2018. 380 pp. ISBN 9781907222634

Published online by Cambridge University Press:  11 October 2019

Morten Michelsen*
Affiliation:
University of Copenhagen

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Brennan, M. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock (New York, Bloomsbury)Google Scholar
Draper, R. 1990. Rolling Stone Magazine: The Uncensored History (New York, Doubleday)Google Scholar
Eisen, J. (ed.). 1969. The Age of Rock: Sounds of the American Cultural Revolution (New York, Vintage Books)Google Scholar
Goldstein, R. 1970. Goldstein's Greatest Hits: A Book Mostly about Rock ’n’ Roll (Englewood Cliffs, NJ, Prentice Hall)Google Scholar
Gorman, P. 2001. In Their Own Write: Adventures in the Music Press (London, Sanctuary)Google Scholar
Jones, S. (ed.). 2002. Pop Music and the Press (Philadelphia, PA, Temple University Press)Google Scholar
Lindberg, U., Gudmundsson, G., Michelsen, M. and Weisethaunet, H. 2005. Rock Criticism from the Beginning: Amusers, Bruisers & Cool-Headed Cruisers (New York, Lang)Google Scholar
Long, P. 2012. The History of the NME: High Times and Low Lives of the World's Most Famous Music Magazine (London, Portico Books)Google Scholar
Powers, D. 2013. Writing the Record: The Village Voice and the Birth of Rock Criticism (Amherst, MA, University of Massachusetts Press)Google Scholar