Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-18T09:13:36.675Z Has data issue: false hasContentIssue false

Eurasian entanglements: notes towards a planetary perspective of popular music histories

Published online by Cambridge University Press:  26 April 2021

Keith Negus
Affiliation:
Popular Music Research Unit, Goldsmiths, University of London, London, UK. E-mail: [email protected]
Hyunjoon Shin
Affiliation:
Faculty of Social Sciences/Institute for East Asian Studies, Sungkonghoe University, Seoul, South Korea. E-mail: [email protected]

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Middle Eight
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bernal, M. 1987. Black Athena: The Afroasiatic Roots of Classical Civilization (New Brunswick, Rutgers)Google Scholar
Bourdaghs, M. 2012. Sayonara Amerika, Sayonara Nippon: A Geopolitical History of J-pop (Columbia University Press)Google Scholar
Chua, B H. and Iwabuchi, K. (eds). 2008. East Asian Pop Culture: Analyzing the Korean Wave, (Hong Kong, Hong Kong University Press).Google Scholar
Church, S. 2018. ‘The Eurasian Silk Road: its historical roots and the Chinese Imagination’, Cambridge Journal of Eurasian Studies, 2, pp. 113CrossRefGoogle Scholar
Dovchin, S. 2017. Language, Media and Globalization in the Periphery: The Linguascapes of Popular Music in Mongolia (London, Routledge)Google Scholar
Hann, C. 2014. ‘Towards a Maximally Inclusive Concept of Eurasia’, Max Planck Institute for Social Anthropology Working Paper no. 157Google Scholar
Hann, C. 2016. ‘A Concept of Eurasia’, Current Anthropology, 57/1, pp. 127CrossRefGoogle Scholar
Hosokawa, S. 2016. ‘Key Tunes at the Heart of Japan's jazz age: Americanism and its Indigenization’, Situations, 9/1 pp. 4964.Google Scholar
Jones, A. 2020. Circuit Listening: Chinese Popular Music in the Global 1960s (Minneapolis, MN, University of Minnesota Press)CrossRefGoogle Scholar
Maçães, B. 2018. The Dawn of Eurasia: On the Trail of the New World Order (London, Penguin)Google Scholar
Marlow, E. 2018. Jazz in China: From Dance Hall Music to Individual Freedom of Expression (Jackson, MI, University Press of Mississippi)Google Scholar
Millward, J. 2013. The Silk Road: A Very Short Introduction (Oxford, Oxford University Press).CrossRefGoogle Scholar
Shepherd, L. 1962. The Broadside Ballad: A Study in Origins and Meaning (London, Herbert Jenkins)Google Scholar
Shin, H. and Lee, K. 2020. ‘The question of geographic scale in Asian popular music: global, local, regional, and translocal’, Korean Journal of Popular Music, 25, pp. 181213.Google Scholar
Stokes, M. 2018. ‘Notes and Queries on Global Music History’ in Studies on a Global History of Music ed. Strohm, R (London, Routledge), pp. 317CrossRefGoogle Scholar
Ziegler, N. 2011. ‘Music, The Work of Professionals’ in Oxford Handbook of Cuneiform Culture, ed. Radner, K and Robson, E (Oxford, Oxford University Press) pp. 288312Google Scholar