Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-21T23:21:31.887Z Has data issue: false hasContentIssue false
  • English
  • Français

‘Cookin' on the West Coast’: a contribution from the Swedish West Coast to contemporary composition practice1

Published online by Cambridge University Press:  11 November 2008

Olle Edström
Get access Rights & Permissions [Opens in a new window]

Extract

In recent years, interest within popular music research in describing, analysing and discussing the music itself, the sounding object, has considerably increased. To the English speaking world, the most well known example perhaps is the work of Allan Moore (1993). At my department in Gothenburg, however, by the middle of the 1980s already several dissertations were being written taking the structure of popular music as their starting point to analyse the functions and meaning of popular music in society (Åhlen 1987, Björnberg 1987, Lilliestam 1988). The only problem with these dissertations, as well as with my book on the tin-pan alley tradition in Sweden (1989), is that they are all written in Swedish (although the dissertations have summaries in English or German).

Type
Articles
Information
Popular Music , Volume 15 , Issue 1 , January 1996 , pp. 83 - 104
Copyright
Copyright © Cambridge University Press 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Berkaak, O. A. 1993. Erfaringer fra risikosonen – Opplevelse og stilutvikling i rock (Oslo)Google Scholar
Björnberg, A. 1987. 'En liten sång som alla andra – Melodifestivalen 1959–1983, Dissertation, University of GöteborgGoogle Scholar
Brolinsson, P.-E. and Larsen, H.. 1984. Från början – Om ‘intro’ och inledningsfunktioner hos ABBA. TVÄRSPEL – trettioen artiklar om musik (University of Göteborg)Google Scholar
Cubitt, S. 1984. ‘“Maybellene”: meaning and the listening subject’, Popular Music 4, pp. 207–224CrossRefGoogle Scholar
Edström, K. O. 1992. Michael Jackson, Dangerous och dess mottagande (University of Göteborg)Google Scholar
Danuser, H. 1984. Die Musik des 20. Jahrhunderts 3 (Laaber Verlag)Google Scholar
Frith, S. 1978. The Sociology of Rock (London)Google Scholar
Frith, S. 1981. Sound Effects: Youth, Leisure and the Politics of Rock 'n Roll (London)Google Scholar
Frith, S. 1988. Music for Pleasure: Essays in the Sociology of Pop (Cambridge)Google Scholar
Goodwin, A. 1990. 'Sample and hold – pop music in the age of reproduction, in On Record, eds Frith, S. and Goodwin, A. (New York)Google Scholar
Haas, R. 1929/reprinted 1979. Die Musik des Barocks (Handbuch der Musikwissenschaft, Bd.7) (Laaber Verlag)Google Scholar
Lilliestam, L. 1988. ‘Musikalisk ackulturation – från blues till rock’, Dissertation, University of GöteborgGoogle Scholar
Middleton, R. 1990. Studying Popular Music (Milton Keynes)Google Scholar
Moore, A. 1993. Rock: The Primary Text. Developing a Musicology of Rock (Buckingham and Philadelphia)Google Scholar
Peterson, R. and Berger, D. 1975. ‘Cycles in symbol production; the case of popular music’, American Sociological Review, 40, pp. 97–106CrossRefGoogle Scholar
Peterson, R. A. 1990. ‘Why 1955? Explaining the advent of rock music’, Popular Music, 1, pp. 97–116CrossRefGoogle Scholar
Porcello, Th. 1991. ‘The ethics of digital audio-sampling: engineers' discourse’. Popular Music, 10/1, pp. 69–84CrossRefGoogle Scholar
Roe, K. 1983. Mass Media and Adolescent Schooling: Conflict or Co-Existence? (Stockholm)Google Scholar
Roe, K. 1989. ‘Adolescents' Music Use. A Structural-Cultural Approach’, Popular Music Research, NORDICOM-Sweden No. 1–2, pp. 41–52Google Scholar
Rose, Tricia. 1989. ‘Orality and technology: rap music and Afro-American cultural resistance’. Popular Music and Society, 4Google Scholar
Shepherd, J. 1991. Music as Social Text (Worcester)Google Scholar
Stannow, H. 1991. Upphovsrätt till musik mm i film och video (Stockholm)Google Scholar
Taruskin, R. and Weiss, P. 1984. Music in the Western World (New York)Google Scholar
Trondman, M. 1988. ‘Rocksmaken: Om rock som symboliskt kapital’, Dissertation, University of Växjö, SwedenGoogle Scholar
Trondman, M. 1990. ‘Rock tastes – on rock as symbolic capital’, Popular Music Research, NORDICOM-Sweden No. 1–2Google Scholar
Wicke, P. 1990. Rock Music, culture, aesthetics and sociology (Cambridge)CrossRefGoogle Scholar
Åhlén, C.-G. 1987. ‘Tangon i Europa – en pyrrhusseger?’, Dissertation, University of GöteborgGoogle Scholar