Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by
Crossref.
Fung, Anthony
and
Curtin, Michael
2002.
The anomalies of being Faye (Wong).
International Journal of Cultural Studies,
Vol. 5,
Issue. 3,
p.
263.
Kloet, Jeroen de
2005.
Authenticating Geographies and Temporalities: Representations of Chinese Rock in China.
Visual Anthropology,
Vol. 18,
Issue. 2-3,
p.
229.
de Kloet, Jeroen
2005.
Sonic Sturdiness: The Globalization of “Chinese” Rock and Pop.
Critical Studies in Media Communication,
Vol. 22,
Issue. 4,
p.
321.
ERNI, John Nguyet
2007.
Gender and everyday evasions: moving with Cantopop1.
Inter-Asia Cultural Studies,
Vol. 8,
Issue. 1,
p.
86.
Chew, Matthew M.
2009.
The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music.
Chinese Sociology & Anthropology,
Vol. 42,
Issue. 2,
p.
76.
Chow, Yiu Fai
2009.
Me and the dragon: a lyrical engagement with the politics of Chineseness.
Inter-Asia Cultural Studies,
Vol. 10,
Issue. 4,
p.
544.
CHIK, ALICE
2010.
Creative multilingualism in Hong Kong popular music.
World Englishes,
Vol. 29,
Issue. 4,
p.
508.
Chew, Matthew M.
2011.
Hybridity, Empowerment and Subversiveness in Cantopop Electronic Dance Music.
Visual Anthropology,
Vol. 24,
Issue. 1-2,
p.
139.
Chu, Yiu-Wai
and
Leung, Eve
2013.
Remapping Hong Kong popular music: covers, localisation and the waning hybridity of Cantopop.
Popular Music,
Vol. 32,
Issue. 1,
p.
65.
Tan, Shzr Ee
2013.
Popular Culture in Asia.
p.
183.
Sheppard, W. Anthony
2013.
The Cambridge History of World Music.
p.
606.
Ho, Vicky Wing-Ki
2013.
Thirty Years of Contemporary Christian Music in Hong Kong.
Journal of Creative Communications,
Vol. 8,
Issue. 1,
p.
65.
Szeto, Kin‐Yan
2015.
A Companion to Hong Kong Cinema.
p.
359.
2015.
Sounding the Modern Woman.
p.
253.
Wang, Shuang
2018.
Music, social media and public pedagogy: indie music in the post-Cantopop epoch.
Asian Education and Development Studies,
Vol. 7,
Issue. 1,
p.
42.
Ho, Tammy Lai-Ming
2018.
Cultural Conflict in Hong Kong.
p.
179.
Wang, Klavier J.
2020.
Hong Kong Popular Culture.
p.
409.
Lai, Josephine Y. Y.
2021.
Bad Girl, Femme Fatale, and the Androgynous Body: Cantopop Queen Anita Mui’s Gender Game.
Visual Anthropology,
Vol. 34,
Issue. 2,
p.
163.
Chew, Matthew M.
2022.
Open‐Ended Analyses of the Sociopolitical Impact of Celebrity Change: Advantages, Operationalization, and an Illustration with Hong Kong Celebrity.
Sociological Forum,
Vol. 37,
Issue. 2,
p.
557.
Law, Lok-Yin
2022.
Hong Kong History.
p.
181.