Hostname: page-component-745bb68f8f-l4dxg Total loading time: 0 Render date: 2025-01-12T05:41:58.083Z Has data issue: false hasContentIssue false
  • English
  • Français

Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY. By Alan O'Connor. Plymouth: Lexington, 2008. 145 pp. ISBN 0-7391-2660-1 - Encyclopedia of Punk Music and Culture. By Brian Cogan. Westport, CT and London: Greenwood Press, 2006. 282 pp. ISBN 0-313-33340-8

Published online by Cambridge University Press:  03 February 2010

Pete Dale
Pete Dale
Affiliation:
Newcastle University, UK
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 29 , Issue 1 , January 2010 , pp. 176 - 178
Copyright
Copyright © Cambridge University Press 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Hebdige, D. 1979. Subculture: The Meaning of Style (Methuen)Google Scholar
Hesmondhalgh, D. 1997. ‘Post-punk's attempt to democratise the music industry: the success and failure of Rough Trade’, Popular Music, 16, pp. 255–74CrossRefGoogle Scholar
Hesmondhalgh, D. 1999. ‘Indie: the institutional politics and aesthetics of a popular music genre’, Cultural Studies, 13, pp. 34–61CrossRefGoogle Scholar
Laing, D. 1985. One Chord Wonders: Power and Meaning in Punk Rock (Open University Press)Google Scholar
Lee, S. 1995. ‘Re-examining the concept of the ‘independent’ record company: the case of Wax Trax! records’, Popular music, 14, pp. 13–31CrossRefGoogle Scholar
Strachan, R. 2007. ‘Micro-independent record labels in the UK: discourse, DIY cultural production and the music industry’, European Journal of Cultural Studies 10, pp. 245–65CrossRefGoogle Scholar
Thompson, S. 2004. Punk Productions: Unfinished Business (State University of New York Press)CrossRefGoogle Scholar