Hostname: page-component-78c5997874-g7gxr Total loading time: 0 Render date: 2024-11-09T13:01:33.829Z Has data issue: false hasContentIssue false
  • English
  • Français

Popular Music in the Post-Digital Age: Politics, Economy, Culture, and Technology. Edited by Ewa Mazierska, Les Gillon and Tony Rigg. New York: Bloomsbury, 2019. 304 pp. ISBN: 978-1-5013-3837-3

Review products

Popular Music in the Post-Digital Age: Politics, Economy, Culture, and Technology. Edited by Ewa Mazierska, Les Gillon and Tony Rigg. New York: Bloomsbury, 2019. 304 pp. ISBN: 978-1-5013-3837-3

Published online by Cambridge University Press:  01 April 2020

Ellis Jones
Ellis Jones*
Affiliation:
University of Oslo
*
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 39 , Issue 1 , February 2020 , pp. 146 - 148
Check for updates
Copyright
Copyright © The Author(s), 2020. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Drott, E. 2015. ‘Rereading Jacques Attali's Bruits’, Critical Inquiry, 41/4, pp. 721–56CrossRefGoogle Scholar
Hesmondhalgh, D., and Meier, L.M. 2018. ‘What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector’, Information, Communication & Society, 21/11, pp. 1555–70CrossRefGoogle Scholar
Prior, N. 2015. ‘Beyond Napster: popular music and the normal internet’, in Bennett, A. (ed.), The Sage Handbook of Popular Music (London, Sage),pp. 493–507Google Scholar