No CrossRef data available.
Article contents
Playing It Queer: Popular Music, Identity and Queer World-making. By Jodie Taylor. Bern: Peter Lang, 2012. 254 pp. ISBN 978-3-0343-0553-2
Review products
Playing It Queer: Popular Music, Identity and Queer World-making. By Jodie Taylor. Bern: Peter Lang, 2012. 254 pp. ISBN 978-3-0343-0553-2
Published online by Cambridge University Press: 30 November 2015
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Reviews
- Information
- Copyright
- Copyright © Cambridge University Press 2015
References
Berger, H. 2010. Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture (Middletown, CT, Wesleyan University Press)Google Scholar
Hawkins, S. 2002. Settling the Pop Score: Pop Texts and Identity Politics (Farnham, Ashgate)Google Scholar
Jarmen, F. 2011. Queer Voices: Technologies, Vocalities, and the Musical Flaw (Basingstoke, Palgrave Macmillan)CrossRefGoogle Scholar
Jones, A.F. 1992. Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music (Ithaca, NY, Cornell University)Google Scholar
Middleton, R. 1990. Studying Popular Music (Milton Keynes and Philadelphia, PA, Open University Press)Google Scholar
Morad, M. 2014. Fiesta de diez pesos: Music and Gay Identity in Special Period Cuba (Farnham, Ashgate)Google Scholar
Morcom, A. 2013. Illicit Worlds of Indian Dance: Cultures of Exclusion (London, Hurst)CrossRefGoogle Scholar
Peraino, J. 2005. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig (Berkeley, CA, University of California Press)CrossRefGoogle Scholar
Stokes, M. 1992. The Arabesk Debate: Music and Musicians in Modern Turkey (Oxford, Clarendon Press)CrossRefGoogle Scholar
Straw, W. 2014. ‘Some things a scene might be’, Cultural Studies, 29/3, pp. 476–485CrossRefGoogle Scholar