Hostname: page-component-745bb68f8f-lrblm Total loading time: 0 Render date: 2025-01-13T00:55:51.254Z Has data issue: false hasContentIssue false
  • English
  • Français

Made in Hong Kong. Studies in Popular Music. Edited by Anthony Fung and Alice Chik. London: Routledge, 2020. 234 pp. ISBN 978-0-367-22698-5

Review products

Made in Hong Kong. Studies in Popular Music. Edited by Anthony Fung and Alice Chik. London: Routledge, 2020. 234 pp. ISBN 978-0-367-22698-5

Published online by Cambridge University Press:  28 February 2023

François Mouillot Open the ORCID record for François Mouillot [Opens in a new window]
François Mouillot*
Affiliation:
Hong Kong Baptist University
*
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Popular Music , Volume 42 , Issue 2 , May 2023 , pp. 207 - 209
Check for updates
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Chu, Y.W. (朱耀偉) 1998. Xianggang liuxing geci yanjiu: qishi niandai zhongqi zhi jiushi niandai zhongqi《香港流行歌詞研究：七十年代中期至九十年代中期》 [A Study of Hong Kong Popular Lyrics: From the Mid ’70s to the Mid ’90s] (Hong Kong, Joint Publishing)Google Scholar
Erni, J.N. 2007. ‘Gender and everyday evasions: moving with Cantopop’, Inter-Asia Cultural Studies, 8/1, March, pp. 86–108CrossRefGoogle Scholar
Fung, A. (馮應謙) 2004. Xianggang liuxing yinyue wenhua: wenhua yanjiu duben 《香港流行音樂文化：文化研究讀本》[Hong Kong Popular Music Culture: A Reader in Cultural Studies] (Hong Kong, Wheatear)Google Scholar
Witzleben, J.L. 1999. ‘Cantopop and Mandapop in pre–postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim- Fong’, Popular Music, 8/2, pp. 241–58CrossRefGoogle Scholar
Wong, J. (黃湛森) 2003. ‘Yueyu liuxingqu de fazhan yu xingshuai: xianggang liuxing yinjue yanjiu 1949– 1997 粵語流行曲的發展與興衰：香港流行音樂研究 1949– 1997’ [The Rise and Fall of Cantopop: A Study of Hong Kong Popular Music 1949– 1997]. PhD dissertation, The University of Hong KongGoogle Scholar
Yang, H.L. and Yu, S.W. (楊漢倫，余少華) 2013. Yueyu gequ jiedu: tuibian zhong de xianggang shengyin《粤語歌曲解讀: 蛻變中的香港聲音》 [Interpretation of Cantonese Songs: The Changing Hong Kong Sound] (Hong Kong, Hui Zhi Chu Ban You Xian Gong Si)Google Scholar