Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-09T13:03:19.264Z Has data issue: false hasContentIssue false
  • English
  • Français

Learning from inexperience: consumption ‘made strange’ in the digital music economy

Published online by Cambridge University Press:  12 September 2018

Ellis Jones
Ellis Jones*
Affiliation:
School of Media and Communication, University of Leeds E-mail: [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Middle Eight
Information
Popular Music , Volume 37 , Issue 3 , October 2018 , pp. 487 - 491
Copyright
Copyright © Cambridge University Press 2018 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Barlow, J.P. 1994. ‘Selling wine without bottles: the economy of mind on the global net’, Electronic Frontier Foundation. https://w2.eff.org/Misc/Publications/John_Perry_Barlow/idea_economy.article.txt (accessed 15 October 2017)Google Scholar
Booth, R. 2015. ‘U2's Bono issues apology for automatic Apple iTunes album download’, Guardian. https://www.theguardian.com/music/2014/oct/15/u2-bono-issues-apology-for-apple-itunes-album-download (accessed 19 October 2017)Google Scholar
Corbyn, J. 2016. ‘Digital democracy manifesto’, Jeremy For Labour. http://www.jeremyforlabour.com/digital_democracy_manifesto (accessed 8 September 2017)Google Scholar
Fisher, M. 2009. Capitalist Realism: is There no Alternative? (Ropley: Zero Books)Google Scholar
Gurman, D. 2009. ‘Why Lakoff still matters: Framing the debate on copyright law and digital publishing’, First Monday, 14/6. https://firstmonday.org/ojs/index.php/fm/article/view/2354/2210Google Scholar
Hesmondhalgh, D. 2013. Why Music Matters (Chichester, Wiley)Google Scholar
Jenkins, H. 2008. ‘The participation gap’. National Education Association. http://www.nea.org/home/15468.htm (accessed 19 October 2017)Google Scholar
Lowery, D. 2013. ‘My song got played on Pandora 1 million times and all i got was $16.89, less than what i make from a single t-shirt sale!’, The Trichordist. https://thetrichordist.com/2013/06/24/my-song-got-played-on-pandora-1-million-times-and-all-i-got-was-16-89-less-than-what-i-make-from-a-single-t-shirt-sale/ (accessed 23 May 2017)Google Scholar
Prior, N. 2015. 'Beyond Napster: popular music and the normal internet', in The Handbook of Popular Music (London, Sage), pp. 493–507Google Scholar
Srnicek, N. 2017. Platform Capitalism (Cambridge, Polity)Google Scholar
Srnicek, N. and Williams, A. 2015. Inventing the Future: Postcapitalism and a World Without Work (London, Verso)Google Scholar