Hostname: page-component-586b7cd67f-2plfb Total loading time: 0 Render date: 2024-11-25T00:12:20.869Z Has data issue: false hasContentIssue false
  • English
  • Français

Jazz for Beginners

Published online by Cambridge University Press:  11 November 2008

Pete Martin
Pete Martin
Affiliation:
University of Manchester
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Essay Reviews
Information
Popular Music , Volume 15 , Issue 2 , May 1996 , pp. 227 - 232
Copyright
Copyright © Cambridge University Press 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Baraka, A. (Leroi Jones). 1963. Blues People (New York)Google Scholar
Becker, H.S. 1963. Outsiders (New York)Google Scholar
Bergeron, K. and Bohlman, P.V. 1992. (eds) Disciplining Music: Musicology and its Canons (Chicago)Google Scholar
Bohlman, P.V. 1992. ‘Epilogue: musics and canons’ in Disciplining Music: Musicology and its Canons, eds Bergeron, and Bohlman, (Chicago)Google Scholar
Citron, M.J. 1993. Gender and the Musical Canon (Cambridge)Google Scholar
Gates, H.L. 1988. The Signifying Monkey: A Theory of African-American Literary Criticism (New York)Google Scholar
McClary, S. 1991. Feminine Endings (Minneapolis)Google Scholar
Martin, P.J. 1995. Sounds and Society: Themes in the Sociology of Music (Manchester)Google Scholar
Schuller, G. 1968. Early Jazz: Its Roots and Musical Development (New York)Google Scholar
Schuller, G. 1989. The Swing Era: The Development of Jazz, 1930–1945 (New York)Google Scholar
Shepherd, J. 1991. Music as Social Text (Cambridge)Google Scholar
Solie, R.A. (ed.) 1993. Music and Difference: Gender and Sexuality in Music Scholarship (Berkeley)Google Scholar
Tomlinson, G. 1992. ‘Cultural dialogics and jazz: a white historian signifies’ in Disciplining Music: Musicology and its Canons, eds Bergeron, and Bohlman, (Chicago)Google Scholar