Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-11-05T13:07:27.420Z Has data issue: false hasContentIssue false

The Hollywood Film Music Reader. Edited by Mervyn Cooke. Oxford: Oxford University Press, 2010. 382 pp. ISBN 978-0-19-533119-6

Published online by Cambridge University Press:  13 September 2013

Madhuja Mukherjee*
Affiliation:
Jadavpur University, India

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adorno, T., and Eisler, H. 1947. Composing for the Films (New York, Oxford University Press)Google Scholar
Brophy, P. (ed.) 1999. The World of Sound in Film (Sydney, AFTRS)Google Scholar
Cooke, M. 2008. A History of Film Music (Cambridge, Cambridge University Press)CrossRefGoogle Scholar
Coyle, R. (ed.) 1997. Screen Scores: Studies in Contemporary Australian Film Music (Sydney, AFTRS)Google Scholar
Dyer, R. 2006. ‘Music, people and reality: the case of Italian realism’, in European Film Music, ed. Mera, M. and Burnand, D. (Aldershot, Ashgate), pp. 2840Google Scholar
Larsen, P. 2005. Film Music (London, Reaktion Books)Google Scholar
McCarty, C. (ed.) 1989. Film Music 1 (New York, Garland Press)Google Scholar
Morcom, A. 2007. Hindi Film Songs and the Cinema (Aldershot, Ashgate)Google Scholar
Mukherjee, M. (ed.) 2012. Aural Films, Oral Cultures, Essays on Cinema from the Early Sound Era (Kolkata, Jadavpur University Press)Google Scholar