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Genre Publics. Popular Music, Technologies, and Class in Indonesia. By Emma Baulch. Middletown, CT: Wesleyan University Press, 2020. 227 pp. ISBN 978-0-81995-7964-5

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Genre Publics. Popular Music, Technologies, and Class in Indonesia. By Emma Baulch. Middletown, CT: Wesleyan University Press, 2020. 227 pp. ISBN 978-0-81995-7964-5

Published online by Cambridge University Press:  19 May 2022

Kieran James
Kieran James*
Affiliation:
University of the West of Scotland, UK
*
[email protected]
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Type
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Information
Popular Music , Volume 41 , Issue 1 , February 2022 , pp. 116 - 118
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Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

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References

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James, K., and Walsh, R. 2015. ‘Bandung rocks, Cibinong shakes: economics and applied ethics within the Indonesian death-metal community’. Musicology Australia, 37/1, pp. 27–46CrossRefGoogle Scholar
James, K., and Walsh, R. 2018. ‘Islamic religion and death metal music in Indonesia’, Journal of Popular Music Studies, 30/3, pp. 129–52CrossRefGoogle Scholar
James, K., and Walsh, R. 2019. ‘Religion and heavy metal music in Indonesia’, Popular Music, 38/2, pp. 276–97CrossRefGoogle Scholar
Ong, A. 2006. Neoliberalism as Exception: Mutations in Citizenship and Sovereignty (Durham, NC, Duke University Press)Google Scholar
Wallach, J. 2007. Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997–2001 (Madison, WI, University of Wisconsin Press)Google Scholar