Hostname: page-component-745bb68f8f-cphqk Total loading time: 0 Render date: 2025-01-13T02:05:14.054Z Has data issue: false hasContentIssue false
  • English
  • Français

Distillation of Sound, Dub and the Creation of Culture. By Eric Abbey. Bristol: Intellect, 2022. 187 pp. ISBN 978-1-78938-539-7

Review products

Distillation of Sound, Dub and the Creation of Culture. By Eric Abbey. Bristol: Intellect, 2022. 187 pp. ISBN 978-1-78938-539-7

Published online by Cambridge University Press:  24 July 2023

Maël Péneau Open the ORCID record for Maël Péneau [Opens in a new window]
Maël Péneau*
Affiliation:
Centre Georg Simmel, EHESS, Paris
*
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Popular Music , Volume 42 , Issue 3 , October 2023 , pp. 347 - 348
Check for updates
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Baily, J. 2010. ‘Modi operandi in the making of “world music” recordings’, in Recorded Music: Performance, Culture and Technology, ed. Bayley, A. (Cambridge University Press), pp. 107–24Google Scholar
Born, G., and Hesmondhalgh, D. (eds). 2000. Western Music and its Others: Difference, Representation, and Appropriation in Music (University of California Press)Google Scholar
Lysloff, R.T.A., and Gay, L.C. (eds). 2003. Music and Technoculture (Wesleyan University Press)Google Scholar
Manuel, P. 1993. Cassette Culture: Popular Music and Technology in North India (University of Chicago Press)Google Scholar
Meintjes, L. 2003. Sound of Africa! Making Music Zulu in a South African Studio (Duke University Press)Google Scholar
Sterling, M. 2020. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan (Duke University Press)CrossRefGoogle Scholar
Vendryes, T. 2010. ‘Des Versions au riddim. Comment la reprise est devenue le principe de création musicale en Jamaïque (1967–1985)’. Volume! La revue des musiques populaires, 7/1, pp. 192–222Google Scholar
Vendryes, T. 2015. ‘Versions, Dubs and Riddims: Dub and the Transient Dynamics of Jamaican Music’. Dancecult: Journal of Electronic Dance Music Culture, 7/2, pp. 5–24CrossRefGoogle Scholar