“In the theatre,” Giuseppe Verdi once explained, “long is synonymous with boring. And boring is the worst of all styles.” Those who read scholarly journals must be more patient than opera audiences, and this surely must be true of those who have just read my long article and the nine commentaries. I will not test the limits of that patience, however, by responding at length to all the comments. I am grateful to all the commentators for their instructive remarks, which I will be pondering for a long time. But now I can only answer briefly some of the most prominent objections.