Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-26T07:25:02.494Z Has data issue: false hasContentIssue false
  • English
  • Français

The Antarctic paintings of Edward Seago (1910–1974)

Published online by Cambridge University Press:  27 October 2009

Rosamunde Codling
Rosamunde Codling
Affiliation:
8 Rosary Road, Norwich NR1 1TA (Research Student, Department of Geography, Open University, Milton Keynes)
Get access Rights & Permissions [Opens in a new window]

Abstract

The professional artist Edward Seago (1910–1974) travelled to the Antarctic Peninsula, the Falkland Islands, and South Georgia in the 1956/57 austral summer. Although firmly rooted in the English, and in particular the East Anglian, tradition of landscape painting, Seago was able to portray polar landscapes, which he had not previously experienced, with vigour and delight. He went to Antarctica with a firmly established skill in using oils to capture the essence of a landscape, and, despite being on or near the Antarctic Peninsula for only about three days, he produced about 18 oil paintings, predominantly of landscapes and icescapes. In addition, he painted at least a further 17 works of the Falkland Islands, South Georgia, the whaling industry, and icebergs in the Southern Ocean. Seago had an excellent memory and was able to ‘reproduce’ earlier works, an ability that has caused some confusion. Examples of these counterparts are discussed. A catalogue of his known Antarctic works is given.

Type
Articles
Information
Polar Record , Volume 33 , Issue 186 , July 1997 , pp. 213 - 222
Copyright
Copyright © Cambridge University Press 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Armstrong, T.E. 1958. Letter to E. Seago, 24 03 1958. SPRI archives correspondence file 069.41 (Edward Seago).Google Scholar
Bowie, B.M. 1957. Off the beaten track of empire. The National Geographic Magazine 122 (5): 583–626.Google Scholar
Fuchs, V.E. 1982. Of ice and men. Oswestry: Anthony Nelson.Google Scholar
Goodman, J. 1978. Edward Seago: the other side of the canvas. London: Collins.Google Scholar
Hawcroft, F. 1965. Edward Seago: a review of the years 1953–1964. London: Collins.Google Scholar
Illustated London News, The. 1957. With HRH the Duke of Edinburgh in Britannia: Edward Seago's record of an outstandingly successful tour — in the Antarctic regions. The Illustrated London News (30 03 1957) 230 (6147): 500–501.Google Scholar
Polar Record. 1957. Visit of the Duke of Edinburgh to the Falkland Islands Dependencies and Gough Island. Polar Record 6 (56): 457–458.Google Scholar
Priestley, R., Adie, R.J., and Robin, G. de Q. (editors). 1964. Antarctic research. London: Butterworth.Google Scholar
Ranson, R. 1987. Edward Seago. Newton Abbott: David and Charles.Google Scholar
Ranson, R. 1992. Edward Seago: the vintage years. Newton Abbot: David and Charles.Google Scholar
Reid, J.W. 1991. Edward Seago: the landscape art. London: Sotheby's Publications.Google Scholar
Royal Collection Trust. 1994. Prince Philip: a personal collection. London: Royal Collection Trust.Google Scholar
Ruskin, J. 1843. Modern painters. London: Routledge. Smith Elder.Google Scholar
Seago, E. 1946. A canvas to cover. London: Collins.Google Scholar
Seago, E. 1958. Letter to Terence Armstrong, 28 03 1958. SPRI archives correspondence file 069.41 (Edward Seago).Google Scholar