Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-22T14:38:11.409Z Has data issue: false hasContentIssue false

Zines, Half-Lives, and Afterlives: On the Temporalities of Social and Political Change

Published online by Cambridge University Press:  23 October 2020

Extract

The term zine is a recent variant of fanzine, a neologism coined in the 1930s to refer to magazines self-published by Aficionados of science fiction. Until zines emerged as digital forms, they were generally defined as handmade, noncommercial, irregularly issued, small-run, paper publications circulated by individuals participating in alternative, special-interest communities. Zines exploded in popularity during the 1980s when punk music fans adopted the form as part of their do-it-yourself aesthetic and as an outsider way to communicate among themselves about punk's defiant response to the commercialism of mainstream society. In 1990, only a few years after the first punk zines appeared, Mike Gunderloy made a case for the genre's significance in an article published in the Whole Earth Review, one of the few surviving organs of the 1960s alternative press in the United States. He celebrated zines' wide range of interests and the oppositional politics that generated their underground approach to publication.

Type
The Changing Profession
Copyright
Copyright © Modern Language Association of America, 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Alcantara-Tan, Sabrina Margarita. “The Herstory of Bamboo Girl Zine.” Frontiers: A Journal of Women Studies 21.1–2 (2000): 159–70. JSTOR. Web. 20 Sept. 2010.Google Scholar
American Library Association. “Library Bill of Rights.” ALA: American Library Association. Amer. Lib. Assn., 2010. Web. 24 Aug. 2010.Google Scholar
Bartel, Julie. From A to Zine: Building a Winning Zine Collection in Your Library. Chicago: Amer. Lib. Assn., 2004. Print.Google Scholar
Beins, Agatha, ed. “Comparative Perspectives Symposium: Feminist Zines.” Signs 35.1 (2009): 174. Print.Google Scholar
Brent, Bill, and Biel, Joe. Make a Zine! When Words and Graphics Collide. 2nd ed. Bloomington: Microcosm, 2008. Print.Google Scholar
Chepesiuk, Ron. “The Zine Scene: Libraries Preserve the Latest Trend in Publishing.” American Libraries Feb. 1997: 6870. Print.Google Scholar
Chu, Julie. “Navigating the Media Environment: How Youth Claim a Place through Zines.” Social Justice 24.3 (1997): 7185. Print.Google Scholar
Chris, Dodge. “Pushing the Boundaries: Zines and Libraries.” Wilson Library Bulletin 69.9 (1995): 2630. Print.Google Scholar
Catherine, Driscoll. Girls: Feminine Adolescence in Popular Culture and Cultural Theory. New York: Columbia UP, 2002. Print.Google Scholar
Duncombe, Stephen. Dream: Re-imagining Progressive Politics in an Age of Fantasy. New York: New, 2007. Print.Google Scholar
Duncombe, Stephen. Notes from Underground: Zines and the Politics of Alternative Culture. London: Verso, 1997. Print.Google Scholar
Eichhorn, Kate. “D.I.Y. Collectors, Archiving Scholars, and Activist Librarians: Legitimizing Feminist Knowledge and Cultural Production since 1990.” Women's Studies 39.6 (2010): 622–46. Print.Google Scholar
Eichhorn, Kate. “Sites Unseen: Ethnographic Research in a Textual Community.” Qualitative Studies in Education 14 (2001): 565–78. Taylor and Francis Journals. Web. 20 Sept. 2010.CrossRefGoogle Scholar
“18th Annual Women's Studies Conference ‘Girls’ Culture & Girls' Studies: Surviving, Reviving, Celebrating Girlhood.‘” Dolores’ List of CFPs. N.p., 2 June 2008. Web. 24 Aug. 2010.Google Scholar
Gilligan, Carol. In a Different Voice: Psychological Theory and Women's Development. Cambridge: Harvard UP, 1982. Print.Google Scholar
Gilligan, Carol, Nona P. Lyons, and Hamner, Trudy J. Making Connections: The Relational Worlds of Adolescent Girls at Emma Willard School. Cambridge: Harvard UP, 1990. Print.Google Scholar
Gottlieb, Joanne, and Wald, Gayle. “Smells like Teen Spirit: Riot Grrrls, Revolution, and Women in Independent Rock.” Microphone Fiends: Youth Music and Youth Culture. Ed. Ross, Andrew and Rose, Tricia. New York: Routledge, 1994. 250–74. Print.Google Scholar
Green, Karen, and Taormino, Tristan, eds. A Girl's Guide to Taking Over the Revolution: Writings from the Girl Zine Revolution. New York: St. Martin's, 1997. Print.Google Scholar
Gunderloy, Mike. “Zines: Where the Action Is: The Very Small Press in America.” Whole Earth Review fall 1990: 5860. ZineWiki. Web. 24 Aug. 2010.Google Scholar
Harris, Anita. Future Girl: Young Women in the Twenty-First Century. New York: Routledge, 2004. Print.CrossRefGoogle Scholar
Herrada, Julie, and Aul, Billie. “Zines in Libraries: A Culture Preserved.” Serials Review 21.2 (1995): 7988. Print.CrossRefGoogle Scholar
Inness, Sherrie A., ed. Delinquents and Debutantes: Twentieth-Century American Girls' Cultures. New York: New York UP, 1998. Print.Google Scholar
Kearney, Mary Celeste. Girls Make Media. New York: Routledge, 2006. Print.Google Scholar
Kearney, Mary Celeste. “Producing Girls: Rethinking the Study of Female Youth Culture.” Inness 285310.Google Scholar
Lauraine, Leblanc. Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture. New Brunswick: Rutgers UP, 1999. Print.Google Scholar
Licona, Adela. “(B)orderlands' Rhetorics and Representations: The Transformative Potential of Feminist Third-Space Scholarship and Zines.” NWSA Journal 17 (2005): 104–29. Print.CrossRefGoogle Scholar
Lipkin, Elline. Girls' Studies. Berkeley: Seal, 2009. Print.Google Scholar
McRobbie, Angela. Feminism and Youth Culture. Boston: Unwin, 1991. Print.CrossRefGoogle Scholar
McRobbie, Angela, and Garber, Jenny. “Girls and Subcultures: An Exploration.” Resistance through Rituals. Ed. Hall, Stuart and Jefferson, Tony. London: Harper, 1976. 209–22. Print.Google Scholar
Monem, Nadine, ed. Riot Grrrl: Revolution Girl Style Now! London: Black Dog, 2007. Print.Google Scholar
Nguyen, Mimi. “It's (Not) a White World: Looking for Race in Punk.” Punk Planet Nov.-Dec. 1998. Mimi Thi Nguyen. Web.Google Scholar
Piepmeier, Alison. Girl Zines: Making Media, Doing Feminism. New York: New York UP, 2009. Print.Google Scholar
Pipher, Mary. Reviving Ophelia: Saving the Selves of Adolescent Girls. New York: Putnam, 1994. Print.Google Scholar
Schilt, Kristen. “I'll Resist with Every Inch and Every Breath: Girls and Zine Making as a Form of Resistance.” Youth and Society 35 (2003): 7197. Print.CrossRefGoogle Scholar
Schilt, Kristen. “‘A Little Too Ironic’: The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians.” Popular Music and Society 26.1 (2003): 516. Print.CrossRefGoogle Scholar
Sinor, Jennifer. “Another Form of Crying: Girl Zines as Life Writing.” Prose Studies 26.1–2 (2003): 240–64. Print.Google Scholar
Spencer, Amy. DIY: The Rise of Lo-Fi Culture. London: Boyars, 2005. Print.Google Scholar
Wrekk, Alex. Stolen Sharpie Revolution. 3rd ed. Portland: Microcosm, 2005. Print.Google Scholar
Zobl, Elke. “The Global Grrrl Zine Network: A DIY Feminist Revolution for Social Change.” Diss. Inst. for Theory, Praxis and Mediation of Contemporary Art, Acad. of Fine Arts Vienna, 2003. Print.Google Scholar
Zobl, Elke. “Persephone Is Pissed? Grrrl Zine Reading, Making and Distributing across the Globe.” Hecate 30.2 (2004): 156–75. Print.Google Scholar