Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-18T02:41:17.723Z Has data issue: false hasContentIssue false
  • English
  • Français

Unto the Dying Lamb

Published online by Cambridge University Press:  23 October 2020

James Baldwin ,
Theodore Pelatowski  and
Carmen Merport Quiñones
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Little-Known Documents
Information
PMLA , Volume 135 , Issue 2 , March 2020 , pp. 344 - 349
Copyright
Copyright © 2020 Carmen Merport Quiñones

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Agee, James. Let Us Now Praise Famous Men: Three Tenant Families. Photographs by Walker Evans. 1941. Houghton Mifflin Harcourt, 2001.Google Scholar
Baldwin, James. “Everybody's Protest Novel.” Notes of a Native Son, Beacon Press, 1984, pp. 13–24.Google Scholar
Baldwin, James Go Tell It on the Mountain. Knopf Doubleday Publishing Group, 2016.Google Scholar
Baldwin, James Plan of Work for Rosenwald Fund Application. 1947, Rosenwald Fund Archive, Fisk University, box 390, folder 2.Google Scholar
Blair, Sara. Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century. Princeton UP, 2007.Google Scholar
Campbell, James. Talking at the Gates: A Life of James Baldwin: With a New Afterword. 1991. U of California P, 2002.Google Scholar
Hill, Jason E. Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture. U of California P, 2018.Google Scholar
Leeming, David. James Baldwin: A Biography. Arcade Publishing, 1994.Google Scholar
Miller, Joshua. “‘A Striking Addiction to Irreality’: Nothing Personal and the Legacy of the Photo-Text Genre.” Re-viewing James Baldwin, edited by Miller, D. Quentin, Temple UP, 2000, pp. 154–89.Google Scholar
Norman, Brian. “Baldwin's Collaborations.” The Cambridge Companion to James Baldwin, edited by Elam, Michele, Cambridge UP, 2015, pp. 135–49.Google Scholar
Schulman, Daniel. Introduction. A Force for Change: African American Art and the Julius Rosenwald Fund, by Schulman et al., Northwestern UP, 2009, pp. 13–18.Google Scholar
Wright, Richard. Twelve Million Black Voices. Photographs compiled by Edwin Rosskam, Thunder's Mouth Press, 1941.Google Scholar