No CrossRef data available.
We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
Published online by Cambridge University Press: 26 February 2021
It is so much easier to understand a simple character, one that runs true to form, than to comprehend a peculiarly complex one, that I have always had a good deal of sympathy for poor old Timothy Shelley, weeping on the neck of his son's friend, Hogg, at Miller's Hotel in London, just after the Oxford expulsion. For Percy Bysshe Shelley, his poetic talent aside, was no ordinary scion to issue from the sedate portals of an English country home. Bred a Tory, he aligned himself with the Radical Reformers; reared in the Church of England, he published a tract on The Necessity of Atheism before he was twenty. Nor does the paradox end here. As the author of Prometheus Unbound and Epipsychidion he seems to us a “spirit that walked in a flaming robe of verse;” but the always-worldly Byron turned over to this spirit of fire and dew his financial negotiations with the wholly substantial John Murray; and this citizen of worlds of unimaginable beauty could turn in a moment from the composition of Alastor to discuss with the impecunious Godwin the least expensive means of borrowing on collateral.
1 Preface to 1st edition of The Mask of Anarchy, 1832. p.v.
2 Mask of Anarchy, 1832, pp. xi-xiii.
3 Nightmare Abbey, 1818, pp. 22-23, 27.
4 Letters of Percy Bysshe Shelley, ed Ingpen, 1912, II, 760.
5 Dowden, Life of Percy Bysshe Shelley, 1886, II, 291.
6 Times Literary Supplement, July 6, 1922, p. 444.
7 Philosophical View of Reform, ed. Rolleston, 1920, p. 41.
8 Pforzheimer MS. of A Philosophical View of Reform, ff. 45v, 46r and v, 47r and v.
9 Mask of Anarchy, stanza xlv.
10 Oedipus Tyrannus, I, 102, 104-107.
11 Ibid. I. i. 194-204.
12 Mask of Anarchy, stanza xxxviii.
13 Estimates of Some Englishmen and Scotchmen, 1858, p. 280.
14 Shelley Memorials, 1859, p. 262; and cf. Shelley's essay On the Devil, and Devils in Prose Works, ed. Forman, 1880, II, 394-5.
15 Address to the Irish People, in Prose Works, 1880, I, 335.
16 Pforzheimer MS., f. 89.v
17 Ibid. f. 82.r
18 Ibid. f. 83.r
19 Ibid. f. 83.r
20 Nation and Athenaeum, (London) March 19, 1921, p. 876, col. 2.
21 Charles the First, Scene 1, ll. 151-158.
22 Pforzheimer MS., ff. 33r and v, 34r and v, 35r and v.
23 Nation and Athenaeum, March 19, 1921, p. 876, col. 2.
24 Pforzheimer MS., f. 109r.
25 ll. 231-235.