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Published online by Cambridge University Press: 02 December 2020
The present article is in part a corollary to an earlier one on Populism and a further chapter in an exploration into that complex movement in the contemporary French novel which is in revolt against nineteenth-century individualism and all the involved subjectivisms, the affected preciosity and even the dishevelled formlessness of the “littérature snob.” The branch of the movement I propose to discuss is sometimes referred to by critics as a new classicism, and though the term is misleading it can stand. Jules Romains himself expresses the sense of cleavage between two literatures when he says: Je crois … qu'un peu partout une certaine période de littérature coupée du réel, tournée avec trop de complaisance vers l‘étude d‘états dâmes fragiles, infiniment particuliers et périssables est en train de se clore.
1 PMLA, xlix (1934), 356–364.
2 F. Lefèvre: Une heure avec … vi, 246.
3 From an article first published in the Anthologie de la Nouvelle Prose Française (1926), pp. 257–258.
4 Suicide (1897), p. 362.
5 A selected bibliography of Unanimism would include: Madeleine Israël's hagiography, Jules Romains, sa vie et sou œuvre; F. Lefèvre's interview already quoted; the joint introduction to Chennevière's Œuvres poètiques by André Cuisinier and René Maublanc; Marcel Thiébault's lengthy review of the first six volumes of Les Hommes de bonne volonté in the Revue de Paris (Jan. 15, 1934); René Lalou's article in the same review (Nov. 1, 1934); and, among the manuals, Benjamin Crémieux' XXe Siècle, André Billy's Littérature Française Contemporaine, the work with the same title of Christian Sénéchal, and, most recently, Cuisenier's Jules Romains et l'Unanisme.
6 Manuel de Déification (1910).
7 Particularly Duhamel, Arcos and Vildrac.
8 Cf., in La Vie Unanime, poems such as Mais, au fond du corps, les cellules, Rien ne cesse d'être intérieur, Unanime, je t'aime, etc.
9 See note 5.
10 M. René Lalou.
11 F. Lefèvre, op. cit., p. 245.