Having made this announcement, nineteenth-century works of fiction would go on and on. magazines and newspapers gave them all the space they wished: the serialized novel was in its heyday. While the early chapters appeared in quick succession, the core of the work was being written out by hand, and its conclusion was yet to be conceived. Nor was it only trivial horror stories or tearjerkers that thus held the reader in thrall. Many of Dickens's novels came out in serial form, in installments. Tolstoy's Anna Karenina was a serialized novel. Balzac's time, a tireless provider of mass-produced serializations, gave the still-anonymous writer lessons in the technique of suspense, of building to a climax at the end of a column. And nearly all Fontane's novels appeared first in newspapers and magazines as serializations. Witness the publisher of the Vossisiche Zeitung, where Trials and Tribulations first saw print, who exclaimed in a rage, “Will this sluttish story never end!”