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Published online by Cambridge University Press: 23 October 2020
Goethe's poem “Selige Sehnsucht” has been variously interpreted in the light of different readers' notions of what is characteristically “Goethean.” This essay examines syntactic, semantic, and rhetorical ambiguities in the poem and adds to the variety of interpretations by suggesting that the opening lines' elitist restriction of the message to “none but the wise” is, ironically, democratic and that the familiar closing maxim discriminates not between “us” and “them” but between “before” and “after”—between blessed, half-blind (“trübe”) desire and a brilliant fulfillment potentially in store for everyone. Goethean enlightenment, like irony, is indirect. Temporarily obfuscating, it promises—beyond time and selfhood—a consummate unitary illumination.