Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-25T04:03:18.345Z Has data issue: false hasContentIssue false

Remapping Genre through Performance: From “American” to “Hemispheric” Studies

Published online by Cambridge University Press:  23 October 2020

Abstract

Performance as a genre allows for alternative mappings, providing a set of strategies and conventions that allow scholars to see practices that scripted genres might occlude. Like other genres, performance encompasses a broad range of rehearsed and codified behaviors, such as dance, theater, music recitals, sports events, and rituals. A performance lens allows scholars to look at acts, things, and ideas as performance. Looking at America as performance might explain why it is difficult to approach it as a disciplinary field of study. What might the shift in genres—from the scripted genres associated with the archive to the live, embodied behaviors that are the repertoire of cultural practices—enable? This essay proposes that an analysis of the performance of America might allow scholars to rethink not only their object of analysis but also their scholarly interactions.

Type
Special Topic: Remapping Genre Coordinated by Wai Chee Dimock and Bruce Robbins
Copyright
Copyright © 2007 by The Modern Language Association of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Charles, Altieri. “Whose America Is Our America: On Walter Benn Michaels's Characterizations of Modernity in America.” Modernism/Modernity 3.3 (1996): 107–13.Google Scholar
Austin, J. L. How to Do Things with Words. 2nd ed. Oxford: Clarendon, 1975.CrossRefGoogle Scholar
Jean, Baudrillard. Simulations. New York: Semiotexte, 1983.Google Scholar
Simón, Bolívar. El Libertador: Writings of Simón Bolívar. Ed. Bushnell, David. Trans. Frederick H. Fornoff. New York: Oxford UP, 2003.Google Scholar
Canny, Nicholas P., and Pagden, Anthony. Colonial Identity in the Atlantic World, 1500–1800. Princeton: Princeton UP, 1987.Google Scholar
John, Canup. Out of the Wilderness: The Emergence of an American Identity in Colonial New England. 1st ed. Middletown: Wesleyan UP, 1990.Google Scholar
Certeau, Michel de. The Practice of Everyday Life. Berkeley: U of California P, 1984.Google Scholar
Colbert Roasts President Bush: 2006 White House Correspondents Dinner. C-Span. 29 Apr. 2006. 22 Apr. 2007 <http://video.google.com/videoplay?docid=869183917758574879>..>Google Scholar
Paul, Connerton. How Societies Remember. Cambridge: Cambridge UP, 1989.Google Scholar
Elliott, J. H.De Bry y la imagen europea de América.” América de Teodoro de Bry, 1590–1634. Madrid: Siruela, 1992.Google Scholar
Frank, Waldo David. Our America. New York: Boni, 1919.Google Scholar
Canclini, García, Néstor. Culturas híbridas: Estrategias para entrar y salir de la modernidad. Buenos Aires: Paidós, 2001.Google Scholar
Paul, Giles. “Transnationalism and Classic American Literature.” PMLA 118 (2003): 6277.Google Scholar
Lesley, Gill. The School of the Americas: Military Training and Political Violence in the Americas. Durham: Duke UP, 2004.Google Scholar
Paul, Gilroy. The Black Atlantic: Modernity and Double Consciousness. Cambridge: Harvard UP, 1993.Google Scholar
Goldberg, David Theo, and Gutiérrez, Ramón. Reshaping the Americas: Narratives of Place. U of California Humanities Research Inst. 27 Nov. 2001. 20 Apr. 2007 <http://www.hri.uci.edu/reshapingtheamericas.htm>..>Google Scholar
Harper, Phillip Brian. Personal communication. Spring 2006.Google Scholar
“A Hemisphere Matures.” Time 22 Dec. 1941. 22 Apr. 2007 <http://www.time.com/time/magazine/article/0,9171,931970,00.html>..>Google Scholar
Herejón, Carlos. Morelos: Antología documental. México: Secretaría de Educación Pública, 1985.Google Scholar
Kagen, Richard L. Urban Images of the Hispanic World, 1493–1793. New Haven: Yale UP, 2000.Google Scholar
Luzzana Caraci, Ilaria. “Columbus' ‘Otro Mundo’: The Genesis of a Geographical Concept.” Renaissance Studies 6 (1992): 336–51.CrossRefGoogle Scholar
Martí, José.Nuestra América.” Ensayos y crónicas. Ed. Jiménez, José Olivio. Madrid: Muchnik, 1995.Google Scholar
Michaels, Walter Benn. Our America: Nativism, Modernism, and Pluralism. Durham: Duke UP, 1995.CrossRefGoogle Scholar
O'Gorman, Edmundo. La invención de América: El universalismo de la cultura de occidente. 1st ed. México: Fondo de Cultura Económica, 1958.Google Scholar
Picture Atlas of the World. Skokie: Rand McNally, 1993.Google Scholar
Rossana, Reguillo. Horizontes fragmentados. Tlaquepaque, Mex.: Instituto Tecnológico y de Estudios Superiores de Occidente, 2005.Google Scholar
Joseph, Roach. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia UP, 1996.Google Scholar
Rodríguez, Jesusa, and Felipe, Liliana, perfs. Arquetipas: A Pre-hispanic Cabaret. Skirball Center for the Performing Arts, Kimmel Center, New York U. 10 Nov. 2004.Google Scholar
Saldívar, José David. Border Matters: Remapping American Cultural Studies. Vol. 1. Berkeley: U of California P, 1997.10.1525/9780520918368CrossRefGoogle Scholar
Richard, Schechner. Between Theater and Anthropology. Philadelphia: U of Pennsylvania P, 1985.Google Scholar
Richard, Schechner. Performance Studies: An Introduction. 2nd ed. New York: Routledge, 2006.Google Scholar
Smith, Anna Deavere, perf. Crossing the Lines. Third Annual Hemispheric Inst. Seminar. Lima, Peru. 9 July 2002. 23 Apr. 2007 <http://www.hemisphericinstitute.org/eng/archive/video.shtml>..>Google Scholar
Smith, Anna Deavere. Introduction. Trans. Renato Rosaldo. Smith, Crossing.Google Scholar
Smith, Anna Deavere. “Paulette Jenkins.” Trans. Carmen Oqeundo-Villar. Smith, Crossing.Google Scholar
Smith, Anna Deavere. “Prisoner of Hope.” Smith, Crossing.Google Scholar
Anders, Stephanson. Manifest Destiny: America's Expansion and the Empire of Right. New York: Hill, 1995.Google Scholar
SuperBarrio, perf. SuperBarrio for President. Performance and Politics Conf. Dartmouth Coll. Spring 1996.Google Scholar
Diana, Taylor. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke UP, 2003.Google Scholar
Diana, Taylor. “Translating Performance.” Profession 2002. New York: MLA, 2002. 4450.Google Scholar
Weaver, Lois. Handout. Long Table. Hemispheric Inst. Sixth Intl. “Encuentro.” Buenos Aires. 11 June 2007.Google Scholar
Charles, Whitney. “The Naming of America as the Meaning of America: Vespucci, Publicity, Festivity, Modernity.” Clio 22.3 (1993): 195219.Google Scholar