A number of critics have commented upon Holden Caulfield's “neurosis,” but none has accepted Salinger's apparent invitation to a psychoanalytical reading of the novel. As a step in that direction, this paper examines a structural pattern of aggression and withdrawal, largely sexual, in Holden's thoughts and actions. The pattern is reinforced by such characters as Stradlater and Ackley, the former mirroring Holden's mostly fanciful exploitativeness and the latter his more natural tendencies toward retrogression. The episodic middle chapters show Holden vacillating desperately between those tendencies; and the conflict is brought to a curious resolution in the concluding Phoebe section when Holden verges, or rather unconsciously fears he may be verging, on sexual intimacy with his younger sister. The two tendencies converge at that point, and Holden becomes potentially both sexually exploitative and retrogressive. It is this revelation, realized most fully through the writing of his narrative, that points the way to health.