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Published online by Cambridge University Press: 23 October 2020
This essay considers the poetry of the juvenile author Henry Kirke White (1785-1806), largely unstudied today but well known throughout the nineteenth century. Kirke White's work provides an example of the importance to juvenile writing of prolepsis—a trope that yokes immediacy to the future, employing a range of strategies including both anticipation and retrospection. Robert Southey's edition of Kirke White's Remains, coming on the heels of Southey and Joseph Cottle's edition of Thomas Chatterton (1752-70), consolidated juvenile writing into a recognizable tradition. Taking young Romanticera writers seriously now helps us recover how many young people published and how actively their writing was discussed. Romanticism's relation to juvenility can shape new hypotheses about literary practice and offer alternative understandings of tradition: the juvenile tradition, through a proleptic sense of its own immanence, anticipates its future critical neglect but indicates the retrospection and reinterpretation that will someday remedy it.