Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-25T06:01:06.812Z Has data issue: false hasContentIssue false
  • English
  • Français

On the Horizontal: Women Writing on Writing Women

Published online by Cambridge University Press:  23 October 2020

Mary Ann Caws
Get access Rights & Permissions [Opens in a new window]

Extract

Writing in bed: I have always loved Edith Wharton's habit of doing just that, as well as Cynthia Ozick's discussion of it (look how neat the desk at which Wharton is photographed in her stays; imagine how much more comfortable she is in bed with her stays undone). I remember learning, during my first studies of philosophy at Bryn Mawr, that René Descartes wrote in bed, by the heat of a stove supplied by Queen Christina, to say nothing of Winston Churchill's similar custom.

Type
The Changing Profession
Information
PMLA , Volume 122 , Issue 2 , March 2007 , pp. 549 - 557
Copyright
Copyright © Modern Language Association of America, 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Alexander, Paul. This Rough Magic: A Biography of Sylvia Plath. New York: Da Capo, 1992.Google Scholar
Bair, Deirdre. Simone de Beauvoir: A Biography. New York: Summit, 1990.Google Scholar
Barney, Natalie. A Perilous Advantage: The Best of Natalie Barney. Trans. Anna Livia. Ed. Karla Jay. Norwich: New Victoria, 1992.Google Scholar
Britzolakis, Christina. Sylvia Plath and the Theatre of Mourning. Oxford: Oxford UP, 1999.Google Scholar
Caws, Mary Ann. Glorious Eccentrics: Modernist Women Painting and Writing. New York: Palgrave, 2006.Google Scholar
Caws, Mary Ann. Henry James. Overlook Illustrated Lives. New York: Overlook, 2006.Google Scholar
Caws, Mary Ann. Marcel Proust. London: Penguin; New York: Overlook, 2000.Google Scholar
Caws, Mary Ann. Pablo Picasso. Critical Lives. London: Reaktion, 2005.Google Scholar
Caws, Mary Ann. Robert Motherwell: What Art Holds. New York: Columbia UP, 1996.Google Scholar
Caws, Mary Ann. Robert Motherwell with Pen and Brush. London: Reaktion, 2003.Google Scholar
Caws, Mary Ann. Virginia Woolf. New York: Overlook, 2002.Google Scholar
Colette. La naissance du jour. 1928. Paris: Flammarion, 1984. Trans. as Break of Day. Trans. Enid McLeod. New York: Ballantine, 1961.Google Scholar
Connell, Elaine. Sylvia Plath: Killing the Angel in the House. Hebden Bridge, West Yorkshire: Pennine Pens, 1993.Google Scholar
Diehl, Joanne Feit. Elizabeth Bishop and Marianne Moore: The Psychodynamics of Creativity. Princeton: Princeton UP, 1993.CrossRefGoogle Scholar
Eisler, Benita. Byron: Child of Passion, Fool of Fame. New York: Knopf, 1999.Google Scholar
Eisler, Benita. Naked in the Marketplace: The Lives of George Sand. Cambridge: Counterpoint, 2006.Google Scholar
Eisler, Benita. O'Keeffe and Stieglitz: An American Romance. New York: Doubleday, 1991.Google Scholar
Gilbert, Sandra. “Directions for Using the Empress: Millay's Supreme Fictions.” Millay at 100: A Critical Reappraisal. Ed. Freedman, Diane P. Carbondale: Southern Illinois UP, 1995. 103–81.Google Scholar
Gould, Jean. The Poet and Her Book: A Biography of Edna St. Vincent Millay. New York: Dodd, 1969.Google Scholar
Howe, Susan. My Emily Dickinson. Berkeley: North Atlantic, 1985.Google Scholar
Julia, Kristeva. Introduction. Notre Colette. Ed. Kristeva. Collection Interférences. Rennes: PU de Rennes, 2004.Google Scholar
Lee, Hermione. Reading in Bed. Oxford Inaugural Lectures. Oxford: Oxford UP, 2000.Google Scholar
Malcolm, Janet. The Silent Woman: Sylvia Plath and Ted Hughes. New York: Knopf, 1994.Google Scholar
McLeod, Enid, trans. Break of Day. By Colette. New York: Farrar, 1961.Google Scholar
Middlebrook, Diane. Her Husband: Hughes and Plath: A Marriage. New York: Viking, 2003.Google Scholar
Ozick, Cynthia. “Justice (Again) to Edith Wharton.” Art and Ardor: Essays. New York: Dutton, 1983. 3–26.Google Scholar
Quinn, Alice, and Bishop, Elizabeth. Edgar Allan Poe and the Jukebox. New York: Farrar, 2006.Google Scholar
Rowley, Hazel. Tête-à-Tête: The Tumultuous Lives and Loves of Simone de Beauvoir and Jean-Paul Sartre. New York: Harper, 2006.Google Scholar
Schulman, Grace. Marianne Moore: The Poetry of Engagement. Urbana: U of Illinois P, 1986.Google Scholar
Souhami, Diane. Wild Girls: Paris, Sappho, and Art: The Lives and Loves of Natalie Barney and Romaine Brooks. New York: St. Martin's, 2005.Google Scholar
Spacks, Patricia Meyer. Gossip: A Celebration and Defense of the Art of Idle Talk. Chicago: U of Chicago P, 1986.Google Scholar
Stevenson, Anne. Five Looks at Elizabeth Bishop. Newcastle upon Tyne: Bloodaxe, 1998.Google Scholar
Swenson, May. Dear Elizabeth. Afterword by Kirstin Hotelling Zona. Logan: Utah State UP, 2000.Google Scholar
Thurman, Judith. Secrets of the Flesh: A Life of Colette. New York: Knopf, 1999.Google Scholar
Thurman, Judith. “La solitaire dans la foule.” Notre Colette. Ed. Kristeva, Julia. Collection Interférences. Rennes: PU de Rennes, 2004. 71–76.Google Scholar
Vendler, Helen. Coming of Age as a Poet. Cambridge: Harvard UP, 2003.Google Scholar
Wagner-Martin, Linda. Sylvia Plath: A Literary Life. Rev. and expanded ed. New York: Palgrave, 2003.CrossRefGoogle Scholar
Zona, Kirstin Hotelling. Afterword. Swenson.Google Scholar