Published online by Cambridge University Press: 23 October 2020
Gender conflicts troubled Hawthorne's personal life and afflicted his daughter Una badly enough to bring on episodes of disabling psychic isturbance. They are likewise inherent in The Scarlet Letter, where Hawthorne subverts the norms of womanhood and manhood that were asserted by the domestic ideal, a middle-class version of male dominance then coming to the fore. Yet the work also affirms that those norms provide a measure against which his daughter's aberrations should be corrected. Hawthorne's solution to Una's problem is depicted in Pearl's redemption, so that Una's unhappy later life—as well as Hawthorne's—provides a biographical countertext. By treating Nathaniel Hawthorne, Una Hawthorne, and The Scarlet Letter as interdefining arenas of conflict, this essay provides a glimpse into the processes by which gender is constructed in persons and works of art.