Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-23T08:42:43.552Z Has data issue: false hasContentIssue false

Modernist Miniatures: Literary Snapshots of Urban Spaces

Published online by Cambridge University Press:  23 October 2020

Abstract

This essay focuses on a little–studied narrative form I call the modernist miniature. Its practitioners after Baudelaire include novelists like Kafka and Musil, poets like Rilke and Benn, social thinkers and critics like Kracauer, Benjamin, and Adorno. Central concerns of these modernist miniatures, written primarily for the newspaper feuilleton and published only later in book form, were the perceptions and image spheres of urban space, which were undergoing radical change in the late nineteenth and early twentieth centuries. Modernist miniatures can be alternately narrative or philosophical, lyrical or sociological, temporal or spatial. I draw on photographic and architectural discourse to analyze this hybrid literary form, which flourished in the interwar years in Austria and Germany.

Type
Research Article
Copyright
Copyright © Modern Language Association of America, 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Adorno, Theodor W. Aesthetic Theory. Ed. Adorno, Gretel and Tiedemann, Rolf. Trans., ed., and with a translator's introd. by Hullot-Kentor, Robert. Minneapolis: U of Minnesota P, 1997.Google Scholar
Adorno, Theodor W. Ästhetische Theorie. Frankfurt am Main: Suhrkamp, 1970.Google Scholar
Adorno, Theodor W. Minima Moralia: Reflexionen aus dem beschädigten Leben. Frankfurt am Main: Suhrkamp, 1971.Google Scholar
Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Farrar, 1981.Google Scholar
Benjamin, Walter. Berlin Chronicle: Selected Writings: Volume 2, Part 2:1931–1934. Ed. Jennings, Michael W., Eiland, Howard, and Smith, Gary. Cambridge: Harvard UP, 1999.Google Scholar
Benjamin, Walter. Berliner Chronik: Gesammelte Schriften. Vol. 6. Ed. Rolf Tiedemann and Hermann Schweppenhäuser. Frankfurt am Main: Suhrkamp, 1986.Google Scholar
Benjamin, Walter. Berliner Kindheit um Neunzehnhundert. Gesammelte Schriften. Vol. 4.1,. Ed. Rexroth, Tillman. Frankfurt am Main: Suhrkamp, 1972. 235304.Google Scholar
Benjamin, Walter. Briefe an Siegfried Kracauer. Ed. Adorno Archiv, Theodor W. Marbach: Deutsche Schillergesellschaft, 1987.Google Scholar
Benjamin, Walter. Einbahnstrasse. Gesammelte Schriften. Vol 4.1. Ed. Tillman Rexroth. Frankfurt am Main: Suhrkamp, 1972. 83148.Google Scholar
Benjamin, Walter. One-Way Street: Selected Writings: Volume I: 1913–1926. Ed. Bullock, Marcus and Jennings, Michael W. Cambridge: Harvard UP, 1996.Google Scholar
Benjamin, Walter. “The Storyteller.” Selected Writings: Volume 3:1935–1938. Ed. Eiland, Howard and Jennings, Michael W. Cambridge: Harvard UP, 2002. 143–66.Google Scholar
Ernst, Bloch. Briefe, 1903–1975. Vol. 1. Frankfurt am Main: Suhrkamp, 1985.Google Scholar
Ernst, Bloch. Erbschaft dieser Zeit. Frankfurt am Main: Suhrkamp, 1973.Google Scholar
Heinz, Brüggemann. Das andere Fenster: Einblicke in Häuser und Menschen. Frankfurt am Main: Fischer, 1989.Google Scholar
Ernst, Cassirer. Symbol, Technik, Sprache: Aufsätze aus den Jahren 1927–33. Hamburg, 1985.Google Scholar
Giedion, Siegfried. Bauen in Frankreich, Bauen in Eisen, Bauen in Eisenbeton. Leipzig: Klinckhardt, 1928.Google Scholar
Giedion, Siegfried. Building in France: Building in Iron: Building in Ferro-Concrete. Trans. J. Duncan Berry. Santa Monica: Getty Center for the History of Art and the Humanities, 1995.Google Scholar
Hansen, Miriam. “Mass Culture as Hieroglyphic Writing: Adorno, Derrida, Kracauer.” New German Critique 56 (1992): 4375.CrossRefGoogle Scholar
Heynen, Hilde. Architecture and Modernity. Cambridge: MIT P, 1999.Google Scholar
Huyssen, Andreas. Twilight Memories: Marking Time in a Culture of Amnesia. New York: Routledge, 1995.Google Scholar
Jameson, Fredric. “Postmodernism; or, The Cultural Logic of Late Capitalism.” New Left Review July-Aug. 1984: 5393.Google Scholar
Jünger, Ernst. Das abenteuerliche Herz [The Adventurous Heart]. Frankfurt am Main: Ullstein, 1985.Google Scholar
Kafka, Franz. The Diaries of Franz Kafka, 1910–13. Ed. Brod, Max. Trans. Joseph Kresh. New York: Schocken, 1965.Google Scholar
Kafka, Franz. Tagebücher. Ed. Koch, Hans-Gerd, Müller, Michael, and Pasley, Malcolm. Frankfurt am Main: Fischer, 2002.Google Scholar
Kracauer, Siegfried. “Exposé zur Reorganisation der Neuen Rundschau.” 18 July 1928. Marbacher Nachlass, KN/DLA 3. Auszug aus der Innerlichkeit. By Dirk Oschmann. Heidelberg: Winter, 1999. 194.Google Scholar
Kracauer, Siegfried. The Mass Ornament: Weimar Essays. Trans. Thomas Y. Levin. Cambridge: Harvard UP, 1995.Google Scholar
Kracauer, Siegfried. Das Ornament der Masse. Frankfurt am Main: Suhrkamp, 1977.Google Scholar
Kracauer, Siegfried. Schriften 5.2: Aufsätze, 1927–1931. Ed. MülderBach, Inka. Frankfurt am Main: Suhrkamp, 1990.Google Scholar
Kracauer, Siegfried. Schriften 5.3: Aufsätze, 1932–1965. Ed. Mülder-Bach, Inka. Frankfurt am Main: Suhrkamp, 1990.Google Scholar
Menninghaus, Winfried. Schwellenkunde: Walter Benjamins Passage des Mythos. Frankfurt am Main: Suhrkamp, 1986.Google Scholar
Maurice, Merleau-Ponty. Das Auge und der Geist. Reinbek: Rowohlt, 1967.Google Scholar
Moretti, Franco. Modern Epic: The World System from Goethe to García Márquez. London: Verso, 1996.Google Scholar
Mülder, Inka. Siegfried Kracauer: Grenzgänger zwischen Theorie und Literatur. Stuttgart: Metzler, 1985.CrossRefGoogle Scholar
Musil, Robert. Gesammelte Werke. Ed. Frisé, Adolf. Vol. 9. Reinbek: Rowohlt, 1978.Google Scholar
Poe, Edgar Allan. Tales and Sketches, 1831–1842. Ed. Mabbott, Thomas Ollive. Cambridge: Harvard UP, 1978. Vol. 2 of Collected Works of Edgar Allan Poe.Google Scholar
Rilke, Rainer Maria. Die Aufzeichnungen des Malte Laurids Brigge. Sämtliche Werke. Vol. 6. Frankfurt am Main: Insel, 1966. 709–946. Trans. as The Notebooks of Malte Laurids Brigge. Trans. Stephen Mitchell. New York: Random, 1985.Google Scholar
Vidler, Anthony. “Agoraphobia: Spatial Estrangement in Georg Simmel and Siegfried Kracauer.” New German Critique 54 (1991): 3745.Google Scholar